Monday, October 8, 2012

WHAT IS THE KUNDALINI WHEN AWAKENED—WHAT THEN?


The Kundalini, when awakened, is the giver of all power, health, wealth and success. The Kundalini feeds the baby in the mother's womb. She fulfills our every desire. She is the All in All.

"I praise Tripura which is the treasure house of the race.

"The Kundalini, has three angles as well as three circles, and her Bhupura is three-lined. Her Mantra is three syllables, and she has three aspects. The Kundalini energy is also threefold in order that she may create the three Gods (Brahma, the Creator, or air; Vishnu, the Preserver, or water: Rudra, the Destroyer, or fire). Since she is triple everywhere, she is Tripura."

"O Mother of the Universe, those who praise you by the words, Mother, All in All, and Maya, will obtain all. There is nothing which can not be obtained on earth or in the Heavens, by Thy Grace."

This is as it should be, as the Kundalini is Power of Powers, Light of Lights, and All in All.

The Kundalini is Divine static and dynamic energy. The static energy (Kundalini), is sleeping at the Muladhara (Root Chakra); the dynamic energy of the Kundalini is all over the body as Prana, Apana, Samana, Vyana, and Udana. These five Vital breaths, or life forces, keep the body together. The duties of the five Pranas are as follows: Prana remains in the upper part of the body, and always moves upward; the Apana resides in the lower part of the body, or abdomen, and always flows downward; the Samana stays in the first section of the torso, digesting and distributing the food substances; the Vyana resides in the heart, and from there moves all over the body, its duty being the circulation of the blood; the Udana carries the Soul upward when the body dies.

These five Pranas stay in the grosser body. They are also in the finer or subtle body—the five finer breaths corresponding to the five grosser Pranas above described.

The Pranayama Yoga, the Mudra Yoga, and Dharana Yoga, are all for the control of the five Pranas and mind. Mind without Prana is like a bird without wings. The practice of the Mudras is to control the dynamic energy of the Kundalini, namely, Prana, Apana, etc. 

The practice of Pranayama is also to control the Prana, Apana, etc.—the dynamic energy of the Kundalini, and with it awaken the static energy of the Kundalini, which is sleeping at the Muladhara, or
root Chakra. When the five Pranas are controlled or made to stop at the desired place, the Muladhara Chakra, or at the door of the Sushumana, it will work like a spark to the static energy of the Kundalini.

"When Prana and Apana are mixed, it will naturally cause heat in the body; then the body becomes light and powerful. This extreme heat when felt by the Kundalini, causes her to awaken from sleep. Then she goes into the Sushumana." (From H. Y. P.)
The duty of the Yogin is to gather together or control the five Pranas—the life force of the Kundalini—that the dynamic energy of the Kundalini may be used to awaken the static energy of it, as one Kundalini energy will move the other energy.

When the Kundalini awakens or moves, what then remains? What will become of the Kundalini? She will go to the Six Chakras and also remain at her place. As steam is converted from water by heat and again returns to it, so rises the dynamic energy of the Kundalini, which goes up to the different Chakras and returns again and again.. While she will reach to the Sahasrara, still she will be at her home at the Muladhara Chakra.
The Kundalini power can only be known by Master Yogins, but some times even ordinary Yogins can see it, however not as clearly, as long as the inner eye is not open. When the Yogin has opened the inner eye, then he sees the different Chakras and the energy of the Kundalini, which is Life of Life, and Light of Lights.
The following Masterly and Scientific explanation of the Kundalini is by Prof. P. Mukhyopadhyaya, and was written for Arthur Avalon and brought out in his book.
"The Serpent Power," pp. 302-313.
I here acknowledge my thanks for the use of this explanation, and I wish that every student of Yoga would read "The Serpent Power." R. S. Gherwal.

"When you say that Kundali Shakti is the primordial Shakti at rest, I am led to think of an analogy (and it may be more than an analogy) in modern science. Cosmic energy in its physical aspect may be considered either as static or as dynamic, the former being a condition of equilibrium, the latter a condition of motion or change of relative position. Thus a material thing apparently at rest (there being no absolute rest except in pure Consciousness or Chit) should be regarded as energy or Shakti equilibrated, the. various elements of it holding one another in check (or, as the mathematicians will say, the algebraic sum of the forces being zero). Of course, in any given case the equilibrium is relative rather than absolute. The important thing to note is this polarisation of Shakti into two forms—static and dynamic.

In the tissues of a living body, again, the operative energy (whatever the nature of that may be, whether we believe in a special 'vital force' or not) polarises itself into two similar forms—anabolic and katabolic—one tending to change and the other to conserve the tissues, the actual condition of the tissues being simply the resultant of these two coexistent or concurrent activities.

In the mind or experience also this polarisation or polarity is patent to reflection. In my own writings * I have constantly urged: this polarity between pure Chit and the stress which is involved in it: there is a stress or Shakti developing the mind through an infinity of forms and changes; but all these forms and changes are known as involved in the pure and unbounded ether of awareness (Chidakasha). This analysis therefore exhibits the primordial Shakti in the same two polar forms as before—static and dynamic—and here the polarity is most fundamental and approaches absoluteness.

Lastly, let us consider for one moment the atom of modern science. The chemical atom has ceased to be an atom (indivisible unit of matter). We have instead the electron theory. According to this, the so-called atom is a miniature universe very much like our own solar system. At the centre of this atomic system we have a charge of positive electricity round which a cloud of negative .charges (called electrons) is supposed to revolve, just as myriads of planets and smaller bodies revolve round the sun. The positive and the negative charges hold each other in check, so that the atom is a condition of equilibrated energy, and does not therefore ordinarily break up, though it may possibly break up and set free its equilibrated store of energy, as probably it does in the emanations of the radium. What do we notice here? The same polarity of Shakti into a static and a dynamic partner—viz., the positive charge at rest at the centre, and the negative charges in motion round about the centre; a. most suggestive analogy or illustration, perhaps, of the cosmic fact. The illustration may be carried into other domains of science. and philosophy, but I may as well forbear going into details.

 For the present we may,. I think, draw this important conclusion:
Shakti, as manifesting itself in the universe, divides itself into two polar aspects—static and dynamic—which implies that you cannot have it in a dynamic form without at the same time having it in a corresponding static form, much like the poles of a magnet. In any given sphere of activity of force we must have, according to this cosmic principle, a static background—Shakti at rest or 'coiled', as the Tantras say.

Before I proceed, let me point out what I conceive to be the fundamental significance of our Tantric and Pauranic Kali. This. figure or Murti is both real and symbolic, as indeed every Murti in the so-called Hindu mythology is. Now, the Divine Mother Kali is a symbol of the cosmic truth just explained. Sadashiva, on whose breast She dances, nude and dark, is the static background of pure Chit, white and inert (Shavarupa), because pure Chit is in itself Svaprakasha (self manifest) and Nishkriya (actionless). At the same time, apart from and beyond Consciousness there can be nothing—no power orShakti—hence the Divine Mother stands on the bosom of the Divine Father. The Mother Herself is all activity and Gunamayi (in Her aspect as Prakriti composed of the Gunas). Her nakedness means that, though She encompasses all, there is nothing to encompass Herself; her darkness means that She is inscrutable, Avang-manasagochara (beyond the reach of thought and speech). Of course, this is no partition of reality into two (there lies the imperfection of the Sangkhya doctrine of Purusha and Prakriti, which is otherwise right), but merely polarisation in our experience of an indivisible fact which is the primordial (Adya) Shakti itself. Thus Chit is also Shakti. Shiva is Shakti and Shakti is Shiva, as the Tantras say. It is Gunashraya (support of Gunas) as well as Gunamaya (whose substance is Gunas); Nirguna (attributeless) as well as Saguna (with attribute), as said in a well-known passage of the Chandi."

Your suggestive hint makes the nature of the Kundali Shakti rather clear to me. You are quite right, perhaps, in saying that the cosmic Shakti is the Samashti (collectivity) in relation to which the Kundali in the bodies is only the Vyashti (individual): it is an illustration, a reproduction on a miniature scale, a microcosmic plan, of the whole. The law or principle of the whole—that of macrocosmic Shakti—should therefore be found in the Kundali. That law we have seen to be the law of polarisation into static-dynamic or potential-kinetic aspects. In the living body, therefore, there must be such polarisation. Now, the Kundali coiled three times and a half at the Muladhara is the indispensable and unfailing static background of the dynamic Shakti operative in the whole body, carrying on processes and working out changes. The body, therefore, may be compared to a magnet with two poles. The Muladhara is the static pole in relation to the rest of the body, which is dynamic; the working the body necessarily presupposes and finds such a static support, hence perhaps 3 the name Muladhara, the fundamental support. In one sense, the static Shakti at the Muladhara is necessarily coexistent with the creating and evolving Shakti of the body, because the dynamic aspect or pole can never be without its static counterpart. In another sense, it is the Shakti left over (you have yourself pointed this out, and the italics are yours), after the Prithivi—the last of the Bhutas—has been created, a magazine of power to be drawn upon and utilized for further activity, if there should arise any need for such. Taking the two senses together (yours as well as mine), Shakti at the Muladhara is both coexistent with every act of creation or manifestation and is the residual effect of such act—both cause and effect, in fact—an idea which, deeply looked into, shows no real contradiction. There is, in fact, what the physicist will describe as a cycle or circuit in action. Let us take the impregnated ovum—the earliest embryological stage of the living body. In it the Kundali Shakti is already presented in its two polar aspects: the ovum, which the mother-element represents, one pole (possibly the static), and the spermatozoon, which is the father-element, represents the other (possibly the dynamic).  From their fusion proceed those processes which the biologist calls differentiation and integration; but in all this process of creation the cycle can be fairly easily traced. Shakti flows out of the germinal cell (fertilised ovum), seizes upon foreign matter, and assimilates it and thereby grows in bulk; divides and subdivides itself, and then again co-ordinates all its divided parts into one organic whole. Now in all this we have the cycle. Seizing upon foreign matter is an outwardly directed activity, assimilation is an inwardly directed activity or return current; cell division and multiplication is an outwardly directed operation, co-ordination is inwardly directed;  and so on. The force in the germ-cell is overflowing, but also continuously it is flowing back into itself, the two operations presupposing and sustaining each other, as in every circuit. The given stock of force in the germ-cell, which is static so long as the fusion of the male and female elements does not take place in the womb, is the necessary starting-point of all creative activity; it is the primordial cause, therefore, in relation to the body—primordial as well as constantly given, unceasing. On the other hand, the reaction of every creative action, the return current or flowing back of every unfolding over flow, constantly renews this starting force, changes it without changing its general condition of relative equilibrium (and this is quite possible, as in the case of any material system); the force in the germ-cell may therefore be also regarded as a perpetual effect, something left over and set against the working forces of the body. Many apparently inconsistent ideas enter into this conception, and they have to be reconciled.

"1. We start with a force in the germ-cell which is statical at first (though, like a dicotyledon seed, or even a modern atom, it involves within itself both a statical and a dynamical pole; otherwise, from pure rest, involving no possibility of motion, no motion could ever arise). Let this be the Kundali coiled.

"2. Then there is creative impulse arising out of it; this is motion out of rest. By this, the Kundali becomes partly static and partly dynamic, or ejects, so to say, a dynamic pole out of it in order to evolve the body, but remaining a static pole or background itself all along. In no part of the process has the Kundali really uncoiled itself altogether, or even curtailed its three coils and a half. Without this Muladhara Shakti remaining intact no evolution could be possible at all. It is the hinge upon which everything else turns.

"3. Each creative act again reacts on the Muladhara Shakti, so that such reaction, without disturbing the relative rest of the coiled Shakti, changes its volume or intensity, but does not curtail or add to the number of coils. For instance, every natural act of respiration reacts on the coiled Shakti at the Muladhara, but it does not commonly make much difference. But Pranayama powerfully reacts on it, so much so that it awakes the dormant power and sends it piercing through the centres. Now, the common description that the Kundali uncoils Herself then and goes up the Sushumna, leaving the Muladhara, should, I think, be admitted with caution. That static background can never be absolutely dispensed with. As you have yourself rightly observed, 'Shakti can never be depleted, but this is how to look at it'. Precisely; the Kundali, when powerfully worked upon by Yoga, sends forth an emanation or ejection in the likeness of Her own self (like the 'ethereal double' of the Theosophists and Spiritualists) which pierces through the various centres until it becomes blended, as you point out, with the Mahakundali of Shiva at the highest or seventh centre. Thus, while this 'ethereal double' or, self-ejection of the coiled power at the Muladhara ascends the Sushumna, the coiled power itself does not and need not stir from its place. It is like a spark given from an over saturated 6 electro-magnetic machine; or, rather, it is like the emanations of radium which do not sensibly detract from the energy contained in it. This last, perhaps, is the closest physical parallel of the case that we are trying to understand. As a well-known passage in the Upanishad has it, 'The whole (Purna) is subtracted from the whole, and yet the whole remains.' I think our present case comes very near to this. The Kundali at the Muladhara is the whole primordial Shakti in monad or germ or latency: that is why it is coiled. The Kundali that mounts up the Nadi is also the whole Shakti in a specially dynamic form—an eject likeness of the Eternal Serpent. The result of the last fusion (there are successive fusions in the various centres also) in the Sahasrara is also the whole, or Purna. This is how I look at it. In this conception the permanent static background is not really depleted, much less is it dispensed with.

"4. When again I say that the volume or intensity of the coiled power can be affected (though not its configuration and relative equilibrium), I do not mean to throw up the principle of conservation of energy in relation to the Kundali, which is the embodiment of all energy. It is merely the conversion of static (potential) energy into dynamic (kinetic) energy in part, the sum remaining constant. As we have to deal with infinities here, an exact physical rendering of this principle is not to be expected. The Yogi therefore simply 'awakens', and never creates Shakti. By the way, the germ-cell which evolves the body does not, according to modern biology, cease to be a germ-cell in any stage of the complicated process. The original germ-cell splits up into two: one half gradually develops itself into the body of a plant or animal—this is the somatic cell; the other half remains encased within the body practically unchanged, and is transmitted in the process of reproduction to the offspring—that is, the germ-plasm. Now, this germ-plasm is unbroken through the whole line of propagation. This is Weismann's doctrine of 'continuity of the germ-plasm,' which has been widely accepted, though it is but an hypothesis."

In a subsequent postscript the Professor wrote:

"1. Shakti being either static or dynamic, every dynamic form necessarily presupposes a static background. A purely dynamic activity (which is motion in its physical aspect) is impossible without a static support or ground (Adhara). Hence the philosophical doctrine of absolute motion or change, as taught by old Heraclitus and the Buddhists and by modern Bergson, is wrong; it is based neither upon correct logic nor upon clear intuition. The constitution of an atom reveals the static-dynamic polarisation of Shakti; other and more complex forms of existence also do the same. In the living body this necessary static background is Muladhara, where Shakti is Kundali coiled. All the functional activity of the body, starting from the development of the germ-cell, is correlated to, and sustained by the Shakti concentrated at, the Muladhara. Cosmic creation, too, ending with the evolution of Prithivi Tattva (it is, however, an unending process in a different sense, and there perhaps Henry Bergson, who claims that the creative impulse is ever original and resourceful, is right), also presupposes a cosmic static background (over and above Chidakasha-ether of Consciousness), which is the Mahakundali Shakti in the Chinmayadeha (body of Consciousness) of Parameshvara or Parameshvari (the Supreme Lord in male an female aspect). In the earliest stage of creation,. when the world arises only as a mist in Divine Consciousness, it requires, as the principle or pole of Tat (That), the correlate principle or pole of Aham (I); in the development of the former, the latter serves as the static background. In our own experiences, too, 'Apperception' or consciousness of self is the sustaining background—a string, so to say, which holds together all the loose beads of our elements of feeling. The sustaining ground or Adhara, as the seat of static force, therefore is found, in one form or other, in every phase and stage of creative evolution. The absolute or ultimate form is, of course, Chit-Shakti (Consciousness as power) itself, the unfailing light of awareness about which our Gayatri (Mantra) says: 'Which sustains and impels all the activities of Buddhi.' This fact is symbolised by the Kali-murti: not a mere symbol, however.

"2. My remarks about the rising or awakening of the Serpent Power at the Muladhara have been, perhaps, almost of the nature of a paradox. The coiled power, though awakened, uncoiled, and rising, never really stirs from its place; only a sort of 'ethereal double' or 'eject' is unloosed and sent up through the system of centers. Now, in plain language, this ethereal double or eject means the dynamic equivalent of the static power concentrated at the Mula, or root. Whenever, by Pranayama of Bijamantra, or any other suitable means, the Muladhara becomes, like an electro-magnetic machine, oversaturated (though the Kundali Shakti at the Mula is infinite and exhaustless, yet the capacity of a given finite organism to contain it in a static form is limited, and therefore there may be oversaturation), a dynamic or operative equivalent of the static power is set up, possibly by a law similar to Nature's law of induction, by which the static power itself is not depleted or rendered other than static. It is not that static energy at the Mula wholly passes over into a dynamic form—the coiled Kundali leaving the Mula, thus making it a void; that cannot be, and, were it so, all dynamic operation in the body would cease directly for want of a background. The coiled power remains coiled or static, and yet something apparently passes out of the Mula—viz., the dynamic equivalent. This paradox can perhaps be explained in two ways:

"(a) One explanation was suggested in my main letter. The potential Kundali Shakti becomes partly converted into kinetic Shakti, and yet, since Shakti, even as given in the Mula-center, is an infinitude, it is not depleted; the potential store always remains unexhausted. I referred to a passage in the Upanishad about Purna. In this case the dynamic equivalent is a partial conversion of one mode of energy into another. In Laya-Yoga (here described) it is ordinarily so. When, however, the infinite potential becomes an infinite kinetic—when, that is to say, the coiled power at the Mula becomes absolutely uncoiled—we have necessarily the dissolution of the three bodies (Sthula, Linga, and Karana—gross, subtle, and causal), and consequently Videhamukti (bodiless liberation), because the static background in relation to a particular form of existence has now wholly given way, according to our hypothesis. But Mahakundali remains; hence individual Mukti (liberation) need not mean dissolution of Samsara (transmigrating worlds) itself. Commonly, however, as the Tantra says, 'Pitva pitva punah pitva,' etc.

"(b) The other explanation is suggested by the law of induction. Take an electromagnetic machine: 'if a suitable substance be placed near it, will induce in it an equivalent and opposite kind of electro-magnetism  without loosing its own stock of energy. In conduction, energy flows over into another thing, so that the source loses and the other thing gains what it has lost, and its gain is similar in kind to the loss. Not so induction. There the source does not lose, and the induced energy is equivalent and opposite in kind to the inducing energy. Thus a positive charge will induce an equivalent negative charge in a neighbouring object. Now, shall we suppose that the Muladhara, when it becomes over-saturated, induces in the neighbouring centre (say, Svadhishthana) a dynamic (not static) equivalent? Is this what the rise of the Serpent Power really means? The explanation, I am tempted to think, is not perhaps altogether fantastic."

KUNDALINI SHAKTHI - LOCATION OF KUNDALINI!


LOCATION OF KUNDALINI

             Every one has many bodies, but I will deal with only two at this time, the Sthula (gross body) and the Sukshma (the subtle body). These two bodies can be easily understood by every one. The gross body can be felt but the subtle body can reason, as every one has experienced in the dreaming state. What keeps these two bodies together? There are ten pranas; five are subtle and five are gross. The gross pranas are in the gross body and move thru the gross Nadis or nervous system. The subtle pranas are in the subtle body and move thru the subtle Nadis. These two pranas are connected about the heart which is the organ of sensation. When the poets and others felt that sensation, they called it Atma or God in the heart. The other connection of the pranas is between the heart and the navel, that is the mind. The subtle body has as many nerves as the gross body. The three main ones are the Ida, Pingala and Sushumana. The Ida Nerve is on the left side, the Pingala is on the right and between the two is Sushumana. The mouth of the Sushumana is closed by the Goddess Kundalini as she is sleeping at the door of the Sushumana. The Kundalini is in the subtle body and remains there always, but part of her divine energy is in the gross body and manifested as Prana, Apana, Vyana, Samana and Udana. The Kundalini is the creator and the sustainer of the universe. She is the All in All.



              The best authority on the Kundalini is the Hatha Yoga Pradipika. It says: "The Kundalini is sleeping, closing the door of the Sushumana. She sleeps above the Kanda or where the Nadis unite. She gives liberation to the Yogi and bondage to fools. He who knows her knows Yoga."
The location of the Kanda is 12 angulis (or about 9 inches) above the anus and 3 inches long and 3 inches in breadth. It is the shape of a bird's egg and covered with a soft white piece of "cloth."
Great Rishi Yajnavalkya says the Kanda is about the same location. All authorities on Yoga give the location of the Kanda in the lower part of the body above the anus; and there is sleeping the Kundalini.
The Hatha Yoga Pradipika says further about the Kanda and Kundalini: "Yogins awake the Kundalini that is sleeping at the door of the Sushumana. Seated on the Vajrasan and taking hold of the ankles, Yogi should slowly beat the Kanda."

           We read in the Sharada Tilaka about Kundalini: "We pray to the Paradevata united with Shiva, whose substance is the pure nectar or bliss, red like unto vermillion, the young flower of the hibiscus, the sunset sky, who having crept her way thru the mass of sound issuing from the clashing and dashing of the two winds in the midst of the Sushumana, rises to the brilliant energy which glitters with the lustre of ten million lightnings. May she the Kundalini, who quickly goes to and returns from Shiva, grant us the fruit of Yoga! She being awakened is the cow of plenty to Kaulas, and the Kalpa Creeper of all things desired for those who worship her."

The Kundalini is the support of all, the Yoga is the means to reach her.


Monday, June 11, 2012

శ్రీ లలితా పంచరత్నమ్ - Shree Lalitha Pancharatnam

శ్రీ లలితా పంచరత్నమ్


ప్రాతఃస్మరామి లలితావదనారవిన్దం
బిమ్బాధరం పృథులమౌక్తికశొభినాసమ్|
ఆకర్ణదీర్ఘనయనం మణికుణ్డలాఢ్యం
మన్దస్మితం మృగమదొజ్జ్వలఫాలదేశమ్||౧||


    దొండ పండు వంటి క్రింది పేదవి, పేద్ద ముత్యముతొ శొభించు చున్న ముక్కు, చేవులవరకు వ్యాపించిన కన్నులు, మణి కుండలములు, చిరున్నవ్వు,కస్తూరి తిలకముతొ ప్రకాశించు నుదురు కలిగిన లలితా దేవి ముఖారవిందమును ప్రాతః కాలమునందు స్మరించుచున్నాను.



ప్రాతర్భజామి లలితాభుజకల్పవల్లీం
రక్తాఙ్గుళీయలసదఙ్గుళిపల్లవాఢ్యామ్|
మాణిక్యహేమవలయాఙ్గదశొభమానాం
పుణ్డ్రేక్షుచాపకుసుమేషుసృణీర్దధానామ్||౨||


    ఏర్రని రత్నములు కూర్చిన ఉంగరములు ధరించిన వ్రేళ్లు అను చిగురుటాకులు కలదీ, మాణిక్యములు పొదిగిన కంకణములతొ శొభించుచున్నదీ,చేరకువిల్లు-పుష్పబాణము-అంకుశము ధరించినదీ అగు లలితాదేవి భుజములను కల్పలతను ప్రాతః కాలమునందు సేవించుచున్నాను.



ప్రాతర్నమామి లలితాచరణారవిన్దం
భక్తేష్టదాననిరతం భవసిన్ధుపొతమ్|
పద్మాసనాదిసురనాయకపూజనీయం
పద్మాఙ్కుశధ్వజసుదర్శనలాఞ్ఛనాఢ్యమ్||౩||


    భక్తులకొరికలను ఏల్లప్పుడు తీర్చునదీ, సంసార సముద్రమును దాటించుతేప్పయైనదీ, బ్రహ్మ మొదలగు దేవనాయకులచే పూజింపబడునదీ, పద్మము-అంకుశము-పతాకము-చక్రము అను చిహ్నములతొ ప్రకాశించుచున్నదీ అగు లలితాదేవి పాదపద్మమును ప్రాతః కాలమునందు నమస్కరించుచున్నాను.



ప్రాతఃస్తువే పరశివాం లలితాం భవానీం
త్రయ్యన్తవేద్యవిభవాం కరుణానవద్యామ్|
విశ్వస్య సృష్టివిలయస్థితిహేతుభూతాం
విద్యేశ్వరీం నిగమవాఙ్మనసాతిదూరామ్||౪||


    వేదాంతములచే తేలియబడు వైభవము కలదీ, కరుణచే నిర్మలమైనదీ, ప్రపంచము యొక్క సృష్టి-స్థితి-లయలకు కారణమైనదీ,విద్యలకు అధికారణీయైనదీ,వేద వచనములకు మనస్సులకు అందనిదీ, పరమేశ్వరియగు లలితాభవానీ దేవిని ప్రాతః కాలము నందు స్తుతించుచున్నాను.



ప్రాతర్వదామి లలితే తవ పుణ్యనామ
కామేశ్వరీతి కమలేతి మహేశ్వరీతి|
శ్రీశామ్భవీతి జగతాం జననీ పరేతి
వాగ్దేవతేతి వచసా త్రిపురేశ్వరీతి||౫||


    ఒ లలితాదేవి| కామేశ్వరి-కమల-మహేశ్వరి-శ్రేఏశాంభవి-జగజ్జనని-వాగ్దేవత-త్రిపురేశ్వరి అను నీ నామములను ప్రాతఃకాలము నందు జపించుచున్నాను.



యః శ్లొకపఞ్చకమిదం లలితామ్బికాయాః
సౌభాగ్యదం సులలితం పఠతి ప్రభాతే|
తస్మై దదాతి లలితా ఝటితి ప్రసన్నా
విద్యాం శ్రియం విమలసౌఖ్యమనన్తకీర్తిమ్||౬||


    సౌభాగ్యము నిచ్చునదీ,సులభమైనదీ అగు లలితా పంచరత్నమును ప్రాతఃకాలము నందు ఏవడు పఠించునొ వానికి లలితాదేవి శీఘ్రముగా ప్రసన్ను రాలైవిద్యను,సంపదను,సుఖమును,అంతులేని కేఏర్తిని ప్రసాదించును.

Wednesday, May 2, 2012

Worship of Lalitha


Let us consider briefly the causes of incomplete knowledge and how it makes our present human condition. And how this makes up our ego, and its consequences of fear, lust, anger, greed, delusion, pride and envy. And how we can free ourselves. And what freedom means.

1. Causes of incomplete knowledge. Things are not what they seem to be.mHow do we perceive the world around us? Through our senses. Through sound, touch, form, taste and smell, or through thinking. All these six faculties are filters.

Let us look at the nature of these filters.

SABDA = sound:  We HEAR only what is in this room.  We cant hear what is far away. Also we can hear only the sounds in the frequency range of some 15 cycles/sec to 15000.  We don't hear the ultra or infra sounds which some animals can.  

SPARSA= touch:  We feel the TOUCH only within a few millimeters of our surface.  Beyond that we don't feel any thing.  Our skin acts as a sharp cut-off filter within and outside of the body surface.

ROOPA=form:  We SEE nearby objects much bigger than far away objects. Also we can only see one octave of wavelengths in the entire electro-magnetic spectrum.  Also we see things only from a single direction.  We cannot see a thing from all angles, and all distances.  How would an object look if we see it from all sides at once?  From all distances?  With all magnifications? Would it be the same as our normal vision ? How does a spinning top appear with pictures on it?  How would the world appear if we had X ray vision?  Would our skin based cosmetics industry survive?

RASA=taste:  We TASTE only what is on our tongue.

GANDHA=smell:  We SMELL only what enters our noses.

MANAS=mind:  Our MIND reproduces these sensations through remembering, and can some times overcome some limitations of sensory filters by the logical thinking.  Yet, it cannot penetrate other minds and read what is in other thoughts as if the thoughts were its own. It can remember the past and sometimes the future too; but that is rare.  Thus the mind as an instrument has its many limitations. It is also a filter.

The world we are perceiving is not really as it seems to be.  So, our experience is an illusion.  All the senses and the mind are distorting it in so many ways.  They are so immediate, so intimately connected to us that we do not even suspect that our perceptions are wrong and that the world we experience bears no resemblance to the reality. It is not what is really out there.
What we know or can know through senses or reasoning is infinitesimal.  What we do not see is far more important than what we see.

2. Ego is illusion coming from incompleteness.
Ego is the idea:  this is me, these are mine; this is not me, these are not my people.

Given the filters of our perceptions, is it not natural that we give importance to local experiences and no importance at all to things far away? The ideas of I and mine, that this is what I am and these are my people, forms the core of ego.  All my life I try to protect these ideas.

We understand that it is NOT our fault that we have the ideas of I and mine so deeply embedded in us. But it is in the very nature of our senses that these concepts are embedded.

If we wish to overcome the limitations of ego, we have to let go of our attachments to senses and the information they bring.  Just as I can't get an idea of a carpet if I attach a microscope to my eye even if I research for a thousand years, I cannot get an idea of the universe with the limiting vision.  I have to let go of the microscope; I have to let go of the senses.  Then only I get a chance to perceive the reality.  The freedom we talk about is the freedom from the senses, or attachment to sense based information.

The separation between I and world, mine and not mine comes from the local nature of senses. Concepts of I and mine make the passions. How? I see some thing. I don't know what it is. Fear comes. I like it, I want it, Desire/Lust is born. If I don't get what I want, I get Anger, feel helpless, and hunger for power comes. If I get what I want, I don't want to let go of it, possessiveness comes. I get so used to it, I can't even live without it. Delusion comes. I get the pride I have it; and jealousy some has it I don't have it. So, all these passions are born out of I and mine.

Also, I judge the information I receive based on what is good or bad for me. I notice that good brings me happiness, reduces misery, and preserves my identity, that is, maintains my separateness from the world.  Bad is the opposite of these things. 
Judgments form the core of the structures of ego. Hatred, doubt, fear, shame, aversion, family, race, conduct: these 8 passions form the sub-structures of ego.

We HATE something or someone who brings misery to us.
We DOUBT if what is in front of us is good or bad.
We FEAR animals or persons unknown to us, who speak a foreign tongue.
We are ASHAMED of doing things we really want to do.
We develop AVERSION to things we judge as bad.
We form the idea of our FAMILY and try to do everything for them.
We identify with our RACE and pronounce others inferior or bad.
We believe that we have to conform to the norms of CONDUCT without questioning for fear of punishment or rejection.

Thus we develop the emotions of Hatred, Doubt, Fear, Shame, Aversion, Family, Race and Conduct from trying to protect the ideas of I and mine. These are the sub structures of ego. All because of the nature of our sense-based information!
Ego is separation, of the one reality into two polar opposites: Subject and object.  Ego is illusion; illusion is based on sensory information which filters reality.  Ego breaks down if
   
 1. we understand the nature of senses,
   2. the need to let go of our attachment to senses,
   3. train ourselves to work free of filters and limitations,
   4. and finally let go of sense limits by suspending judgments.

All these are the objects of Goddess worship, and Tantra of Lalitha.

This is exactly what Lalitha's form teaches us; she holds the five senses in one hand and the mind which seeks them in another. " Mano roopa ikshu kodanda, pancha tanmatra sayaka." Yoga is keeping mind separate from senses which bring in limited senses to couple with unlimited senses. This is what we mean by saying that we die to the profane world, to be born into the divine prospect of immortal beauty.

3.     SOHAM:   Object is Subject.
         Object is mirrored in the Subject.

Every thing that we see or know is mapped into our brain where thoughts are our first reality.  The world of our perceptions has no reality higher than our thoughts, which are themselves unreal. The objective world is mirrored in the Subject.  Remove the Subject. Who observes?  How can there be an observed thing or phenomenon without an observer?  The Subjective I implies the objective world of experience. The object is like a mirror image of the subject; it is the subject. The subject and object are mutual mirror images.
Ego is the deep rooted idea that the seer and the seen are different.  It is caused by illusion; it is an illusion.  It has no basis.  Just as nothing is left after we peel off successive layers of onion, so also ego vanishes when successive layers of ego like hate, doubt, fear, shame, aversion, family, race and conduct are peeled off. Once the ego is even temporarily suspended, subject merges into object, all separation is lost. That is being in tune with our true nature.

(Even with the ego intact, one can argue and establish that the subject and object are one. How? How is   I=World?   Is it not egoistic and megamania to say that I am the world? Logically, if A implies B and also B implies A, then it is true that A is the same as B, A is identical to B. I want to prove that Object and Subject are one. Object for me is the world. I am a part of this world; so Object implies Subject. If I do not exist, will the world exist for me ? So, I imply the world. The Subject implies the Object.  World contains me and I contain the world.  These are precisely the necessary and sufficient conditions for the equation "I = World" to hold).

These considerations go to suggest that our awareness is a mirror.  It reflects what is in front of it.  The mirror is itself never seen, unless it is unclean; but then it is no more a mirror.  The world is mapped onto the canvas of our awareness. The canvas is the brain.
What do I see if I stood in front of a mirror?  My own image. If I am wearing a hat, I see myself with it.  If I had 10 heads like the Ravana, I see my image having 10 heads. If I had 10 heads, 20 hands and 20 legs like Maha Kali, my image will have the same things. Now 10 heads, 20 hands, 20 legs can belong to 10 different people. If I were 10 different people myself, I will see my reflection as 10 different people. Just one more step on the same lines; if I was the whole world and stood in front of a pure mirror, I would see the world as my own image; I=World. No matter how much variety I see 'out' there, it is all me only.

Keeping the ego created by our senses we can still appreciate that what we see is ourselves, however much it appears to be different from us.  That is yoga=union:  what we see is what we are.  The world seen through filters is full of play.  If I remain a witness even when I participate in the drama of the world, I can practice yoga of play, like Krishna.

4.     Yoga Aaraamam
         Yoga is both play and rest.

This play aspect of Yoga is very interesting.  Krishna was said to have enjoyed playing with 16000 milk maids.  Let me stop and do a little calculation.  Assuming I spend one night with a woman, I need 16000/365= 50 years to be with all the 16000. Assuming again that I start from the age of 15, I would be 65 by the time I finished the whole lot.  How could I remain a child during all this time ?  What a prurient model for the repressed society of India of 1998!  Did he drink also ? Perhaps.  There was no prohibition then. Do the 1000 million Hindus care ?  How come he could have delivered the epic poem Bhagavad-Gita to Arjuna in the battlefield of deciding between right and wrong (Dharma kshetra) and between action and inaction (kuru kshetra)?  Let us understand this play: when life is looked upon as play, all is rest.

In the neck, there is a 16 petal lotus; at the crown, a 1000 petal lotus. If we join lines from each petal of neck lotus to the petal in the crown lotus, we get 16000 lines. Each line is a path in the brain; it represents a thought pattern. What Krishna did then was to watch each of these thought patterns as erotic play described as enjoying with the milk maids. Why milk maids? Milk comes from breasts.  So the loving interaction is at the heart level, the abodes of Sri Devi the protectress and Sri Lakshmi, the mother who gives plenty. Immunity from diseases and nourishment for the child both come from the breasts.  So the milk maids.

The story goes that in the circle dance, The wheel of Sri there was a Krishna between each pair of milk maids. And between each pair of Krishnas there was a milk maid. Were there 16000 Krishnas then or did he clone himself that many times?

The word Krishna like the word Kali, means a dark, unknown power. The power of time, moving silently like a river through the great void of space.  It is the great silence.  Krishna is the silence which watches as the subject, and Kali the silence in which the observer is absent.  The circle dance then means that between each pair of thoughts, there is subjective silence observing the neighboring thoughts, and between each pair of silences, there is a thought craving for the neighboring silences.

The story of Rasa leela of Krishna with the milk maids is a story of silence and thoughts alternating, in an erotic playfulness. The silence craves for thoughts; restless thoughts crave for silence.  Eros, craving, is the fundamental nature of silence; and Thanatos, the death wish is the fundamental nature of thoughts.  Doesn't each thought tend to end itself ?  That is its death wish, the suicidal tendency of thoughts.

5.     Life is death
        
 Life and death are continuous experiences of time flow.
Life seems so continuous, and death seems so final, like a full stop.  We are not afraid of living, but we are scared to death of the creepy death. Somehow, death seems so final.  Point of no return.  Dead end. One moment I am there.  Next, I am gone, inexplicably.  What in me goes away, where, at death ?  Where do these fears come from?  But before that, who are we?

What do we consist of?  Flesh, blood, bones, marrow, and billions of living cells.  This is what science teaches us.  Millions of living cells are dying and millions born every second in our very bodies.  I somehow think that I am an individual, though I consist of billions of living cells. To them, I am God, not even aware of their existence.

Have I given birth to these lives? Have I named them? Married them? Cared for their off spring? Do I feel any responsibility to these billions of lives whose community life is what I think I am ? The immunity cells are checking every cell entering our body boundaries with questions like " Do you belong here?  Do you have a valid visa? A work permit ? Have you come to enrich or poison our society ? "  If the answers they receive are not satisfactory, the visitors are killed and disposed of. Am I even aware of the terrible wars going on between my immunity cells and their foreign visitors ?

Every moment, a part of me is dying.  Every moment a part of me is being born.  Am I experiencing my dying part ? Real death is never experienced nor experienceable. Only life is observable, experienceable.  My life is a river.  Old water is going out, new water is coming in.  I am dying every moment.  I am being born every moment.  With every out-going breath I die.  With every in coming breath, I get life.  Every thought in me is making chemicals called hormones, or catacholins or adrenalin. They help nourish me, or put me in altered states of awareness, ready to fight or run away with sudden bursts of energy.

Can I show you that "me' sucking milk from my mother's breasts? That "me" is dead and gone, as surely as I would be when my body burns on the funeral pyre. Can I show you that "me' when I was a 7 year old going to school now ? In a picture, yes. In reality, no. That is also gone, that is also dead, never never to return. My childhood is dead, yet I continue to live. My youth is dead, yet I continue to live. Life seems to go on merrily without interruption through so much of unremitting death all around. Is death a finality then ? Is it not just another way of looking at life ? Could it be that death and life are synonymous ?

The statement "I am living continuously" is completely equivalent to the statement "I am dying continuously". Death then is not such a finality after all. Because I am dying and I am living at the same time. Just like a river, I have a name. The water is not the same, nothing is the same, there is no constancy. The only constancy seems to be the concepts of "I" and "me". Even the things that belong to me are not constant. For some time, yes. Not for all time. All the things I own, all my relationships, all have to fade away. I cannot own any thing or any one forever.

Rama told Sita once:  like a pair of logs that were drifting and came together in a stream, we came together.  We continue together for some time.  And some whirlpool comes along and one of us sinks in it.  The other continues along.
The only string that runs through all my life/death experiences is the subjective "I" and the subjective "me". That seems to be the only reality, the only constant.

Life and death are two names for one process, called change. We can call it life, we can call it death. Does it matter ? They not only co-exist, but in fact they are one and the same. This is a very important realization to have. Then the fear of death goes away once for all.

Let me tell you about a dream I had. I was a king. I wanted to go for a royal hunt. My wives told me to be careful. I was riding an elephant. Dogs were barking and following. Some men were following with drums, others with fires burning at the end of sticks. The forest we were going through became very dense. I sighted a tiger. I shot it with an arrow. It got hit, and jumped on me. I narrowly escaped death. I woke up, perspiring.

Now that I am fully awake, I ask myself the following questions and get the answers.  Who was the king ?  I. Who were his wives ? I. Who was the elephant on which I was riding?  I. Who were the barking dogs ?  I. Who were the men with drums and with lights ?  I. Who was the forest?  I. Who was the tiger ?  I. Who killed the tiger ?  I. Who was killed ?  I. Who was afraid of whom ? I was afraid of myself. Who am I now ? None of these things. Such is the nature of illusion and such is the nature of knowledge. Can we say then that knowledge is superior to illusion? A thumping No!

In my state of dreaming all these things were true enough. I had reason to be careful, I had reason to be afraid. But once I am awake, I have no reason to be afraid any more. I realize that I lived in two states; dream and awake.  Both denied the knowledge of the other state.  In my dream, if the tiger told me, " Hey king, don't be scared, I am going to eat you, but you will not die", I would surely have my doubts. I would suspect the motives of the tiger. When I am awake ? I could accept it with laughter, playing Siva, who wins over death ( Mrityum Jaya).

- Guruji Amrithananda Swami
 Let us consider briefly the causes of incomplete knowledge and how it makes our present human condition. And how this makes up our ego, and its consequences of fear, lust, anger, greed, delusion, pride and envy. And how we can free ourselves. And what freedom means.

1. Causes of incomplete knowledge. Things are not what they seem to be.mHow do we perceive the world around us? Through our senses. Through sound, touch, form, taste and smell, or through thinking. All these six faculties are filters.

Let us look at the nature of these filters.

SABDA = sound:  We HEAR only what is in this room.  We cant hear what is far away. Also we can hear only the sounds in the frequency range of some 15 cycles/sec to 15000.  We don't hear the ultra or infra sounds which some animals can.  

SPARSA= touch:  We feel the TOUCH only within a few millimeters of our surface.  Beyond that we don't feel any thing.  Our skin acts as a sharp cut-off filter within and outside of the body surface.

ROOPA=form:  We SEE nearby objects much bigger than far away objects. Also we can only see one octave of wavelengths in the entire electro-magnetic spectrum.  Also we see things only from a single direction.  We cannot see a thing from all angles, and all distances.  How would an object look if we see it from all sides at once?  From all distances?  With all magnifications? Would it be the same as our normal vision ? How does a spinning top appear with pictures on it?  How would the world appear if we had X ray vision?  Would our skin based cosmetics industry survive?

RASA=taste:  We TASTE only what is on our tongue.

GANDHA=smell:  We SMELL only what enters our noses.

MANAS=mind:  Our MIND reproduces these sensations through remembering, and can some times overcome some limitations of sensory filters by the logical thinking.  Yet, it cannot penetrate other minds and read what is in other thoughts as if the thoughts were its own. It can remember the past and sometimes the future too; but that is rare.  Thus the mind as an instrument has its many limitations. It is also a filter.

The world we are perceiving is not really as it seems to be.  So, our experience is an illusion.  All the senses and the mind are distorting it in so many ways.  They are so immediate, so intimately connected to us that we do not even suspect that our perceptions are wrong and that the world we experience bears no resemblance to the reality. It is not what is really out there.
What we know or can know through senses or reasoning is infinitesimal.  What we do not see is far more important than what we see.

2. Ego is illusion coming from incompleteness.
Ego is the idea:  this is me, these are mine; this is not me, these are not my people.

Given the filters of our perceptions, is it not natural that we give importance to local experiences and no importance at all to things far away? The ideas of I and mine, that this is what I am and these are my people, forms the core of ego.  All my life I try to protect these ideas.

We understand that it is NOT our fault that we have the ideas of I and mine so deeply embedded in us. But it is in the very nature of our senses that these concepts are embedded.

If we wish to overcome the limitations of ego, we have to let go of our attachments to senses and the information they bring.  Just as I can't get an idea of a carpet if I attach a microscope to my eye even if I research for a thousand years, I cannot get an idea of the universe with the limiting vision.  I have to let go of the microscope; I have to let go of the senses.  Then only I get a chance to perceive the reality.  The freedom we talk about is the freedom from the senses, or attachment to sense based information.

The separation between I and world, mine and not mine comes from the local nature of senses. Concepts of I and mine make the passions. How? I see some thing. I don't know what it is. Fear comes. I like it, I want it, Desire/Lust is born. If I don't get what I want, I get Anger, feel helpless, and hunger for power comes. If I get what I want, I don't want to let go of it, possessiveness comes. I get so used to it, I can't even live without it. Delusion comes. I get the pride I have it; and jealousy some has it I don't have it. So, all these passions are born out of I and mine.

Also, I judge the information I receive based on what is good or bad for me. I notice that good brings me happiness, reduces misery, and preserves my identity, that is, maintains my separateness from the world.  Bad is the opposite of these things. 
Judgments form the core of the structures of ego. Hatred, doubt, fear, shame, aversion, family, race, conduct: these 8 passions form the sub-structures of ego.

We HATE something or someone who brings misery to us.
We DOUBT if what is in front of us is good or bad.
We FEAR animals or persons unknown to us, who speak a foreign tongue.
We are ASHAMED of doing things we really want to do.
We develop AVERSION to things we judge as bad.
We form the idea of our FAMILY and try to do everything for them.
We identify with our RACE and pronounce others inferior or bad.
We believe that we have to conform to the norms of CONDUCT without questioning for fear of punishment or rejection.

Thus we develop the emotions of Hatred, Doubt, Fear, Shame, Aversion, Family, Race and Conduct from trying to protect the ideas of I and mine. These are the sub structures of ego. All because of the nature of our sense-based information!
Ego is separation, of the one reality into two polar opposites: Subject and object.  Ego is illusion; illusion is based on sensory information which filters reality.  Ego breaks down if
   
 1. we understand the nature of senses,
   2. the need to let go of our attachment to senses,
   3. train ourselves to work free of filters and limitations,
   4. and finally let go of sense limits by suspending judgments.

All these are the objects of Goddess worship, and Tantra of Lalitha.

This is exactly what Lalitha's form teaches us; she holds the five senses in one hand and the mind which seeks them in another. " Mano roopa ikshu kodanda, pancha tanmatra sayaka." Yoga is keeping mind separate from senses which bring in limited senses to couple with unlimited senses. This is what we mean by saying that we die to the profane world, to be born into the divine prospect of immortal beauty.

3.     SOHAM:   Object is Subject.
         Object is mirrored in the Subject.

Every thing that we see or know is mapped into our brain where thoughts are our first reality.  The world of our perceptions has no reality higher than our thoughts, which are themselves unreal. The objective world is mirrored in the Subject.  Remove the Subject. Who observes?  How can there be an observed thing or phenomenon without an observer?  The Subjective I implies the objective world of experience. The object is like a mirror image of the subject; it is the subject. The subject and object are mutual mirror images.
Ego is the deep rooted idea that the seer and the seen are different.  It is caused by illusion; it is an illusion.  It has no basis.  Just as nothing is left after we peel off successive layers of onion, so also ego vanishes when successive layers of ego like hate, doubt, fear, shame, aversion, family, race and conduct are peeled off. Once the ego is even temporarily suspended, subject merges into object, all separation is lost. That is being in tune with our true nature.

(Even with the ego intact, one can argue and establish that the subject and object are one. How? How is   I=World?   Is it not egoistic and megamania to say that I am the world? Logically, if A implies B and also B implies A, then it is true that A is the same as B, A is identical to B. I want to prove that Object and Subject are one. Object for me is the world. I am a part of this world; so Object implies Subject. If I do not exist, will the world exist for me ? So, I imply the world. The Subject implies the Object.  World contains me and I contain the world.  These are precisely the necessary and sufficient conditions for the equation "I = World" to hold).

These considerations go to suggest that our awareness is a mirror.  It reflects what is in front of it.  The mirror is itself never seen, unless it is unclean; but then it is no more a mirror.  The world is mapped onto the canvas of our awareness. The canvas is the brain.
What do I see if I stood in front of a mirror?  My own image. If I am wearing a hat, I see myself with it.  If I had 10 heads like the Ravana, I see my image having 10 heads. If I had 10 heads, 20 hands and 20 legs like Maha Kali, my image will have the same things. Now 10 heads, 20 hands, 20 legs can belong to 10 different people. If I were 10 different people myself, I will see my reflection as 10 different people. Just one more step on the same lines; if I was the whole world and stood in front of a pure mirror, I would see the world as my own image; I=World. No matter how much variety I see 'out' there, it is all me only.

Keeping the ego created by our senses we can still appreciate that what we see is ourselves, however much it appears to be different from us.  That is yoga=union:  what we see is what we are.  The world seen through filters is full of play.  If I remain a witness even when I participate in the drama of the world, I can practice yoga of play, like Krishna.

4.     Yoga Aaraamam
         Yoga is both play and rest.

This play aspect of Yoga is very interesting.  Krishna was said to have enjoyed playing with 16000 milk maids.  Let me stop and do a little calculation.  Assuming I spend one night with a woman, I need 16000/365= 50 years to be with all the 16000. Assuming again that I start from the age of 15, I would be 65 by the time I finished the whole lot.  How could I remain a child during all this time ?  What a prurient model for the repressed society of India of 1998!  Did he drink also ? Perhaps.  There was no prohibition then. Do the 1000 million Hindus care ?  How come he could have delivered the epic poem Bhagavad-Gita to Arjuna in the battlefield of deciding between right and wrong (Dharma kshetra) and between action and inaction (kuru kshetra)?  Let us understand this play: when life is looked upon as play, all is rest.

In the neck, there is a 16 petal lotus; at the crown, a 1000 petal lotus. If we join lines from each petal of neck lotus to the petal in the crown lotus, we get 16000 lines. Each line is a path in the brain; it represents a thought pattern. What Krishna did then was to watch each of these thought patterns as erotic play described as enjoying with the milk maids. Why milk maids? Milk comes from breasts.  So the loving interaction is at the heart level, the abodes of Sri Devi the protectress and Sri Lakshmi, the mother who gives plenty. Immunity from diseases and nourishment for the child both come from the breasts.  So the milk maids.

The story goes that in the circle dance, The wheel of Sri there was a Krishna between each pair of milk maids. And between each pair of Krishnas there was a milk maid. Were there 16000 Krishnas then or did he clone himself that many times?

The word Krishna like the word Kali, means a dark, unknown power. The power of time, moving silently like a river through the great void of space.  It is the great silence.  Krishna is the silence which watches as the subject, and Kali the silence in which the observer is absent.  The circle dance then means that between each pair of thoughts, there is subjective silence observing the neighboring thoughts, and between each pair of silences, there is a thought craving for the neighboring silences.

The story of Rasa leela of Krishna with the milk maids is a story of silence and thoughts alternating, in an erotic playfulness. The silence craves for thoughts; restless thoughts crave for silence.  Eros, craving, is the fundamental nature of silence; and Thanatos, the death wish is the fundamental nature of thoughts.  Doesn't each thought tend to end itself ?  That is its death wish, the suicidal tendency of thoughts.

5.     Life is death
        
 Life and death are continuous experiences of time flow.
Life seems so continuous, and death seems so final, like a full stop.  We are not afraid of living, but we are scared to death of the creepy death. Somehow, death seems so final.  Point of no return.  Dead end. One moment I am there.  Next, I am gone, inexplicably.  What in me goes away, where, at death ?  Where do these fears come from?  But before that, who are we?

What do we consist of?  Flesh, blood, bones, marrow, and billions of living cells.  This is what science teaches us.  Millions of living cells are dying and millions born every second in our very bodies.  I somehow think that I am an individual, though I consist of billions of living cells. To them, I am God, not even aware of their existence.

Have I given birth to these lives? Have I named them? Married them? Cared for their off spring? Do I feel any responsibility to these billions of lives whose community life is what I think I am ? The immunity cells are checking every cell entering our body boundaries with questions like " Do you belong here?  Do you have a valid visa? A work permit ? Have you come to enrich or poison our society ? "  If the answers they receive are not satisfactory, the visitors are killed and disposed of. Am I even aware of the terrible wars going on between my immunity cells and their foreign visitors ?

Every moment, a part of me is dying.  Every moment a part of me is being born.  Am I experiencing my dying part ? Real death is never experienced nor experienceable. Only life is observable, experienceable.  My life is a river.  Old water is going out, new water is coming in.  I am dying every moment.  I am being born every moment.  With every out-going breath I die.  With every in coming breath, I get life.  Every thought in me is making chemicals called hormones, or catacholins or adrenalin. They help nourish me, or put me in altered states of awareness, ready to fight or run away with sudden bursts of energy.

Can I show you that "me' sucking milk from my mother's breasts? That "me" is dead and gone, as surely as I would be when my body burns on the funeral pyre. Can I show you that "me' when I was a 7 year old going to school now ? In a picture, yes. In reality, no. That is also gone, that is also dead, never never to return. My childhood is dead, yet I continue to live. My youth is dead, yet I continue to live. Life seems to go on merrily without interruption through so much of unremitting death all around. Is death a finality then ? Is it not just another way of looking at life ? Could it be that death and life are synonymous ?

The statement "I am living continuously" is completely equivalent to the statement "I am dying continuously". Death then is not such a finality after all. Because I am dying and I am living at the same time. Just like a river, I have a name. The water is not the same, nothing is the same, there is no constancy. The only constancy seems to be the concepts of "I" and "me". Even the things that belong to me are not constant. For some time, yes. Not for all time. All the things I own, all my relationships, all have to fade away. I cannot own any thing or any one forever.

Rama told Sita once:  like a pair of logs that were drifting and came together in a stream, we came together.  We continue together for some time.  And some whirlpool comes along and one of us sinks in it.  The other continues along.
The only string that runs through all my life/death experiences is the subjective "I" and the subjective "me". That seems to be the only reality, the only constant.

Life and death are two names for one process, called change. We can call it life, we can call it death. Does it matter ? They not only co-exist, but in fact they are one and the same. This is a very important realization to have. Then the fear of death goes away once for all.

Let me tell you about a dream I had. I was a king. I wanted to go for a royal hunt. My wives told me to be careful. I was riding an elephant. Dogs were barking and following. Some men were following with drums, others with fires burning at the end of sticks. The forest we were going through became very dense. I sighted a tiger. I shot it with an arrow. It got hit, and jumped on me. I narrowly escaped death. I woke up, perspiring.

Now that I am fully awake, I ask myself the following questions and get the answers.  Who was the king ?  I. Who were his wives ? I. Who was the elephant on which I was riding?  I. Who were the barking dogs ?  I. Who were the men with drums and with lights ?  I. Who was the forest?  I. Who was the tiger ?  I. Who killed the tiger ?  I. Who was killed ?  I. Who was afraid of whom ? I was afraid of myself. Who am I now ? None of these things. Such is the nature of illusion and such is the nature of knowledge. Can we say then that knowledge is superior to illusion? A thumping No!

In my state of dreaming all these things were true enough. I had reason to be careful, I had reason to be afraid. But once I am awake, I have no reason to be afraid any more. I realize that I lived in two states; dream and awake.  Both denied the knowledge of the other state.  In my dream, if the tiger told me, " Hey king, don't be scared, I am going to eat you, but you will not die", I would surely have my doubts. I would suspect the motives of the tiger. When I am awake ? I could accept it with laughter, playing Siva, who wins over death ( Mrityum Jaya).

- Guruji Amrithananda Swami

Sunday, November 6, 2011

Rudram Decoded

There is a fantastic book being sold in Giritrading agencies of
Chennai by the name Sri Rudram Decoded by KT SHUBHAKARAN. It contains
a wealth of information about sri rudram including some unknown
secrets and techniques.


Many Hindus do not even know what Sri Rudram is: Below is an attempt
to explain some aspects of it.

SRI RUDRAM & CHAMAKAM


Sri Rudram-Chamakam occupies a very important place in Vedic
literature and in the practice of Vedic Religion. It is the heart of
Krishna Yajurveda and is treasured in the centre of Taittiriya
Samhita. Sri Sivapanchakshari Mantram is enshrined in it. Sri Rudram
is known as Rudropanishad. Though it forms part of Karma Kanda, it
ranks at par with the Upanishads of the Jnana Kanda. And as it is
seen in all the 101 Shakhas of the Yajurveda, it is
called 'Satarudriyam'.

Among the Vidyas, the Vedas are supreme; in the Vedas the Rudra
Ekadasi is supreme; in the Rudram the Panchakshari
Mantra 'NAMASIVAYA' is supreme; in the Mantra the two letters 'SIVA'
is supreme. As by pouring water at the root of a tree, all its
branches are nourished, so also by pleasing Rudra through Rudra Japa,
all the Devas are pleased. This is the best atonement (Prayaschittam)
for all sins and the foremost 'Sadhana' for attainment of cherished
desires.

Greatness of the Rudram

All great religions have tried to praise the Highest God in musical
and sonorous praise befitting their great theme. One of the most
thrilling and spiritually gratifying of such praises is the Vedic Sri
Rudram in Sanskrit in India. Appayya Dikshitar, that polymath of
learning, was enamoured of it. He was often regretful for not being
born in the Krishna Yajurveda Sakha. (He is a Sama Vedi). Gandhiji
wanted to hear the recital of the Vedas according to the South Indian
tradition. He was greatly moved by hearing the chanting of Rudram. He
first heard the recital of it at the opening of the Somnath temple.
To hear it chanted in chorus by South Indian Brahmins is a unique
experience.

A verse in the Vayu Purana says: " A person reciting and applying
daily the Namakam, Chamakam and the Purusha Sooktam is honoured in
the Brahma loka. " The Namakam referred to in it is the Rudram,
abounding in the word 'Namah'.

Evolution of Rudra

The word Rudra has got 4 root meanings:

a) Dreadful, terrific angry.
b) Great or large.
c) Driving away evil.
d) Fit to be praised

We find all the 4 concepts entering into the composition of Rudra. He
is one of the naturo-mythical gods of the Rigveda, but has only a
minor place in it and is being associated with Maruts. Probably He
represented the sudden and destructive forces of the storm with
thunder and lightning which struck at men and cattle.

In the Yajurveda, the connection of Rudra with the Maruts and the
thunderbolt is entirely cut off. Here He has reached the position of
Supremacy, which He has maintained in the Itihasas and Puranas down
to this day. The common thread in both the Vedas is the 'warrior-
aspect' of Rudra, His mighty bow and arrows which He shot at cows and
men, His amenability to invocation and prayer, His healing powers,
and His capacity to ferry men over sins and sorrows. In the course of
the Rudram, we can find the gradual and steady promotion He is
getting - from Siva to Sivatara and again later to Sivatama.

Contents

The Sri Rudram consists of 37 Riks and 130 Yajus in various Chandas
or Metres in the Anuvakas 1 to 11. Each hymn should have a Rishi,
Chandas, and Devata. For the entire Rudra Adhyaya, the Rishi is
Bhagavan Rudra, the Kanda Rishi is Agni, the Chandas is Mahavirat,
and the Devata is Shambu. Apart from this, the several Riks have got
their own Rishis, Chandas, Devatas, and Prayogas or Applications.


Anuvaka(11 in number...below the rik number,yjus number and the style
of chanting the rudram have been given ..the style may vary from
Terror and Anger to Cosmic vision from connection with time to
salutation depending on each anuvaka...anuvaka means one particular
verse stanza said in one go. It is really an amazing experience to
watch the rudra brahmins chant sree rudram in Nanganallur
Rajarajeshwari Temple.)
Riks
Yajus
Style

01
15
-
Terror and Anger

02
-
13
Cosmic Vision
(Pasupati)

03
-
17
Problem of Evil

04
-
17
Contrasts and Artisans

05
-
15
Unique Qualities

06
-
15
Connection with Time

07
-
16
Agent (like Hanuman)

08
-
17
Focal (NAMASIVAYA)

09
-
19
Earth and Water

10
12
-
Prayer to Rudra

11
10
1
(in 3 sections)
Salutations


In the Bhagavat Gita, Arjuna sees God everywhere in his Viswaroopa
Darsanam and the awed 'Namaskara' of adoration automatically arises
in his lips. The Rishi of the Rudram had a similar vision of the
entire universe pervaded by Bhagavan Rudra and his infinite Rudra
Ganas. It is liitle wonder, therefore, that the Rudram ends on a
similar note of involuntary namaskaras.

Supplimentary to the Rudram

The Rudram recital in South India is supplemented by 7 Mantras, at
the end of the above mentioned 11 Anuvakas, as prayers to Rudra to
loosen the votary automatically from death and confer immortality.

Rudra is Death and Homas are done to Him as " Mrityave Swaahaa "
meaning " I sacrifice unto the God of Death " . But He is also
the " Mrityunjaya " meaning the " Conqueror of Death, the Lord of
Immortality " . Rudra is also " Aashutoshin " - one who is easily pleased.
And the easiest method of pleasing Him is by the Rudram.

Uses of the Rudram

Strictly speaking, the Rudra is a Homa or sacrifice performed in fire
in honour of God Rudra. While most of the rituals relating to the
other Gods stop limited to the particular purpose intended in the
Karma Kanda, it was felt that the Rudram could not and should not be
so confined, but put to further varied uses. Hence we find that
Rudram and Chamakam are used invariably for all the Vedic worship of
Siva in all the households and temples. The kalpas had devised their
application in other functions like Ayushya Homa etc. Like the Gita,
it has earned the sobriquet of the Rudropanishad, the highest
conceivable use to which it can be put. Tha Jabala Upanishad and the
Kaivalya Upanishad are the authorities for this. In both of them
the " Satarudriyam " is mentioned.

The Chamakam

The Chamakam occurs in the 4th Kanda, 7th Prapataka of the Yajur
Veda. In the earlier 6 Prapatakas, rites depending
upon " Parishechana " had been dealt with. In the 7th, the pouring of
clarified butter into the sacred fire with a wooden ladle
called " Vasordhaara " is stated. For the purposes of this rite, the
entire Chamakam is one. The splitting up of the Chamakam into 11
Anuvakas is to use them as 11 Mantras in non-sacrificial rites. A
long list of desiderata are prayed for in it - 347 to be precise - by
the votary, coupled with the article 'Cha'.

Should One Pray

Should we pray at all ?
Does not God know our wants and desires ?
Should He not and would He not satisfy them ?

The Chamakam answers in the language of the Bible: " Ask and it shall
be given " . God is there to give. Ask regally; not in an abashed,
whining and pulling manner. Ask abundantly; not for one or two; now
and then; and apologetically. Ask for all things in a full-throated
manner. He is bound to give as Lord and Creator, and He will grant
all the desires of His creatures. There is also no distinction
between the things of this world and the next. Ask for one and all.

Prayer Difficult

Man does not know how to pray to the Supreme Being for the simple
reason that he is ignorant of what is ultimately good or bad for him.
In our Itihasas and Puranas we find how the Asuras and Rakshasas
perform severe penances and austerities and ask for stupid boons from
the Gods, which brought ruin upon them in the end. If wisely
directed, most of them could have become Gods or could have attained
immortality, with a fraction of their efforts. Hence, it is that all
religions teach men how to pray and what to pray for. The Rudram and
Chamakam are some of the foremost examples in the art of prayer in
the Vedas.

Ananda Meemamsa

What is happiness ? All religions and philosophies have tried to
define it and pointed out their several ways of securing it. Two
Upanishads - the Taittiriya in its Brahmananda Valli and the
Brihadaranyaka in its 4th Adhyaya - take up this Ananda meemamsa-the
investigation of happiness. Taking human happiness as the lowest in
the rung, they ascend to that of the Gandharvas, and the successive
higher and higher Gods, and end with that of Prajapati or the
Creator. All these happinesses are but small drops in the ocean of
bliss which is Brahmananda, the happiness of the Self, which is
attained by the Brahmajnani due to casting off of all desires. It is
not correct to say that the self is an object possessing 'Sat-chit-
anandam' as external qualities; but they are inherent in the Self,
that the Self is nothing but these qualities. Hence there is no
question of attaining any happiness, which is external, limited or
graded. It is intrinsic one and entire, and man's birthright. He has
only to shed his body-consciousness and realize that he is a soul.



Om Tryambakam Yajamahe
Sugandhim Pushti Vardanum
Urvaarukamiva Bandhanaat
Mrityormuksheeya Maamritat Swaha

One who does Rudram everyday after Srichakra and Guru worship along
with Pancha suktas will verily get salvation in this birth itself.

- by Subodha

Wednesday, November 2, 2011