Sunday, November 25, 2012

Medha Suktham - Meaning

Medha Suktham


తైత్తిరీయారణ్యకమ్ – 4, ప్రపాఠకః – 10, అనువాకః – 41-44
ఓం యశ్ఛంద’సామృషభో విశ్వరూ’పః | ఛందోభ్యో‌உధ్యమృతా”థ్సంబభూవ’ | స మేంద్రో’ మేధయా” స్పృణోతు |అమృత’స్య దేవధార’ణో భూయాసమ్ | శరీ’రం మే విచ’ర్షణమ్ | జిహ్వా మే మధు’మత్తమా | కర్ణా”భ్యాంభూరివిశ్రు’వమ్ | బ్రహ్మ’ణః కోశో’‌உసి మేధయా పి’హితః | శ్రుతం మే’ గోపాయ ||
ఓం శాంతిః శాంతిః శాంతిః’ ||

ఓం మేధాదేవీ జుషమా’ణా న ఆగా”ద్విశ్వాచీ’ భద్రా సు’మనస్య మా’నా | త్వయా జుష్టా’ నుదమా’నా దురుక్తా”న్బృహద్వ’దేమ విదథే’ సువీరా”ః | త్వయా జుష్ట’ ఋషిర్భ’వతి దేవి త్వయా బ్రహ్మా’‌உ‌உగతశ్రీ’రుత త్వయా” | త్వయా జుష్ట’శ్చిత్రం వి’ందతే వసు సా నో’ జుషస్వ ద్రవి’ణో న మేధే ||
మేధాం మ ఇంద్రో’ దదాతు మేధాం దేవీ సర’స్వతీ | మేధాం మే’ అశ్వినా’వుభా-వాధ’త్తాం పుష్క’రస్రజా |అప్సరాసు’ చ యా మేధా గం’ధర్వేషు’ చ యన్మనః’ | దైవీం” మేధా సర’స్వతీ సా మాం” మేధా సురభి’ర్జుషతాగ్స్వాహా” ||
ఆమాం” మేధా సురభి’ర్విశ్వరూ’పా హిర’ణ్యవర్ణా జగ’తీ జగమ్యా | ఊర్జ’స్వతీ పయ’సా పిన్వ’మానా సా మాం”మేధా సుప్రతీ’కా జుషంతామ్ ||
మయి’ మేధాం మయి’ ప్రజాం మయ్యగ్నిస్తేజో’ దధాతు మయి’ మేధాం మయి’ ప్రజాం మయీంద్ర’ ఇంద్రియం ద’ధాతు మయి’ మేధాం మయి’ ప్రజాం మయి సూర్యో భ్రాజో’ దధాతు ||
ఓం హంస హంసాయ’ విద్మహే’ పరమహంసాయ’ ధీమహి | తన్నో’ హంసః ప్రచోదయా”త్ ||
ఓం శాంతిః శాంతిః శాంతిః’ ||

Medhá – Intellection: understanding, retaining and assimilating what is heard/read.
Súktam – A vedic hymn (lit: “well said”) that invokes either a devatá or Bhagaván
We start with a mantra from the Taittiriya Upaniêad (I.iv.1) which is a prayer for one who wants intelligence.

oṃ yaśchanda’sāmṛṣabho viśvarū’paḥ |

Om – (pratîka) sound symbol that stands for the Lord (i.e. a (pratîka symbol, one that has no
human features like the Siva lingam, unlike Ganesha who has a hands and legs, called a pratîma symbol)
yaä – that which (i.e. that Om)
chandasám – of the Vedic mantras
Vrishabho – is exalted (lit. like a bull, i.e. “that which is the bull among Vedic mantras”)
vishva-rupah – in the form of the universe

That Om, the symbol for the Lord in the form of the universe, which is the most exalted of the Veda mantras…

chandobhyo‌உdhyamṛtā”thsambabhūva’ |
chandobhyaä – from the Vedas
adhi – essence (lit. ‘pertaining to’, here to be read with sambabúva to carry sense of ‘essence’)
amṛtāth– from the timeless
sam-babhúva – emerged from (with adhi – adhi sam-babhúva – means “emerged as the essence”)
(That Om) which has emerged from the Vedas as their essence…

 sa mendro’ medhayā” spṛṇotu |
saä – that
me – me
indraä – Indra, Lord, Om
medhayá – with intelligence/wisdom
spànotu – may (he) bless
May that Om, the Lord Indra, bless me with intelligence.
My that Om, sound symbol for the Lord Indra in the form of the universe, most exalted
of Veda mantras, which has emerged from the Vedas as their essence, bless me with the power of intelligence.

amṛta’sya devadhāra’ṇo bhūyāsam |
amàtasya – of immortality (here to be read in the context of aprayer for wisdom, so means nectar of
knowledge that frees me from mortality)
deva – O effulgent Lord (i.e. Om)
dháranaä – possessor, holder
bhúyásam – may I become
O Lord, may I become endowed with the nectar of wisdom that frees me from mortality.

śarī’raṃ me vica’rṣaṇam |
śarī’raṃ – body
me – my
vica’rṣaṇam – fit, healthy, strong
(bhúyát) – may become (understood, implied)
May my body become strong, healthy and fit

jivhá me madhumattamá
jivhá – tongue
me – my
madhu-mat-tamá – that which is sweetest (madhu = sweet + mat = that which is sweet + tama =
that which is sweetest)
(bhúyát) – may become (understood, implied)
May my tongue become the sweetest, i.e. always speak what is sweet, not-hurtful, true.

karṇā”bhyāṃ bhūriviśru’vam |
karnÃábhyám – with my ears
bhúri – abundantly, much
vishruvam – may I hear
May I listen to the Shástras as often as possible with my ears.

brahma’ṇaḥ kośo’‌உsi medhayā pi’hitaḥ |
brahmanÃa – of Brahman
koshaä – the sheath
asi – you are
medhayá – worldly intelligence (i.e. limited)
pihitaä – covered
O Omkára, you cover Brahman like a sheath*; and you are covered by worldly intelligence
(* sheath: i.e. By dwelling on you we can arrive at the nature of Reality, which cannot be accessed directly.)
śrutaṃ me’ gopāya ||
shrutam – what has been heard (i.e. shástra)
me – for me
gopáya – for protection (i.e. 4th case)
(bhúyát) – may become (understood, implied)
May the shástra that has been heard by me be for my protection.

oṃ śāntiḥ śāntiḥ śānti’ḥ ||

oṃ medhādevī juṣamā’ṇā na āgā”dviśvācī’ bhadrā su’manasya mā’nā |

Om Medhá Devî - O goddess (devî) of intellection (Medhá)
jushamáÃá** - blessing
na - us (naä)
ágád - let her come
vishvácî - all-knowing (i.e. by which alone one becomes all-knowing)
bhadrá – auspicious (i.e. through clarity of thinking, perception, purpose)
sumanasyamáná - pleased-minded* (i.e. our actions, being dharmic, do not disturb the order)
May Medhá Devî, the power of intellection, who bestows all-knowingness, who brings
auspiciousness through clarity, whose mind is pleased — undisturbed by our actions
which are righteous — come, blessing us.
(*Implied Prayer: Please bless me with the knowledge and strength to live a life of dharma.)
(**m|n| máná. creates present participles eg. átmanepada verbs, jushate – blesses, jushamáná – is blessing;
bháshate – he speaks, bháshamáná – he is speaking; ucchate – is spoken, ucchamáná – is being spoken)

tvayā juṣṭā’nudamā’nā duruktā”n bṛhadva’dema vidathe’ suvīrā”ḥ |

tvayá - by you
 juṣṭā - (we who are) blessed
nudamáná - giving up (pushing aside)
duruktán - unwanted, vile speech (that distracts from living dharma)
bràhad - of Brahman
vadema - may we speak
vidathe - having understood*
suvîráä - good children (i.e. who understand the value of dharma and are committed to a life of dharma)
Being blessed by you, may we, having understood* and having given up all harsh words,
speak about Brahman and have children that appreciate the value of a life of dharma.
* understood = having purushartha nishchaya, knowing the value of knowledge (i.e. connected with
moksha), knowing the importance of pramaana, knowing the shastra as pramaana, learning with a right
teacher, having shraddha, thereby understanding what Brahman is and remaining in contemplation.

tvayā juṣṭa’ ṛṣirbha’vati devi tvayābrahmā’‌உ‌உgataśrī’ruta tvayā” |
tvayá - by you
juṣṭa - (one who is) blessed
Rishir - a rishi (a seer of reality, a knower of Brahman) (àêiä)
bhavati - becomes
devî – O goddess
tvayá - by you
brahmá – Brahman (the word “bhavati”- becomes, is understood)
ágatashrîr – wealthy (lit. one to whom wealth has come) (ágatashrîä) (“bhavati” is understood)
uta - and
tvayá - by you (rhythmic filler)
O Goddess, blessed by you one becomes a knower of Brahman, one becomes Brahman,one becomes wealthy.

 tvayā juṣṭa’ścitraṃ vi’ndate vasu sā no’ juṣasva dravi’ṇo na medhe ||

tvayá - by you
juṣṭa - (one who is) blessed
citram - different forms of
vindate - attains
vasu - wealth
sá - such a one (Medhá Devî)
no - us (naä)
jushasva - may you bless
dravinona - with wealth (= draviÃena)
Medhe - O power of intellection (voc. of Medhá)
May such a One as you, O Medhá Devî, blessed by whom one attains all varieties of
wealth, bless us with prosperity (both material and subtle, up to moksha).

medhāṃ ma indro’ dadātu medhāṃ devī sara’svatī | 

medhám - intellection
ma - me
indro - by Indra
dadátu - may he give (bless)
medhám - intellection
devî - goddess
sarasvatî - Sarasvatî (goddess/power of knowledge, intellect, music and wisdom)
May Indra (shakti of the physical body) grant me good stamina and health (for
unhindered functioning of the intellect) and may Goddess Sarasvatî grant me the power
of intellection.

medhāṃ me’ aśvinā’vubhā-vādha’ttāṃ puṣka’rasrajā |

medhám - intellection
me - to me
Ashvináv (=Aévinau) – the twin Ashvins, deities of the nostrils, the divine physicians
ubhav (=ubhau) – both
ádhattám - infuse/place
pushkarasrajá - lotus (puêkara) garlanded (srajá)
May the twin Ashvins, garlanded with lotuses, bless me with the power of intellection
(by giving me good health, on which it depends).

 apsarāsu’ ca yā medhā ga’ndharveṣu’ ca yanmana’ḥ | 
apsarásu - heavenly damsels
ca - and
yá - that which (yad f.) (co-relative of sá in following statement)
medhá - intellection
gandharveshu - celestial musicians
ca - and
yan - that which (yad n.) (co-relative of sá in the following statement)
manaä - intellect (the mind – manas – regarded here, generically, as the intellect)
That which is enjoyed as the subtle intelligence of heavenly damsels and the intelligence of celestial musicians…

daivī”ṃ medhā sara’svatī sā mā”ṃ medhā surabhi’rjuṣatāg svāhā” ||

daivîm - divine
medhá - intellection
Sarasvatî - Sarasvatî (goddess/power of knowledge, intellect, music and wisdom)
sá - that (co-relative of yá in previous statement)
mám - me
Medhá - power of intellection
Surabhir - celestial wish-fulfilling cow (symbolizing wisdom and self-knowledge)
jushatám - may bless
… may Sarasvatî, manifest as Surabhi, bless me with the intellection which is that Divine intelligence…
May Sarasvatî, fulfiller of all wishes*, bless me with the power of intellection which is
that subtle Divine intelligence enjoyed by heavenly damsels and celestial musicians.
(* When, through the power of intellection, all is known, no more desires remain to be attained, i.e. all wishes are fulfilled as it were.)

āmā”ṃ medhā surabhi’rviśvarū’pā hira’ṇyavarṇā jaga’tī jagamyā |
á - coming
mám – (to) me
medhá - intellection
surabhir - lit. wish-fulfilling cow (i.e. Surabhir Medhá = that Medhá Devi by which one gets self knowledge)
vishvarúpá - lit. one who is in the form of the universe (i.e. vishvarúpá Medhá = that Medhá Devi in the form of all disciplines of knowledge that are known to the mind)
hiraÃyavarNá – lit. one of golden complexion (i.e. hiraÃyavarná Medhá = that Medhá Devi in the form of brilliance of intellect which flashes as ‘presence of mind’.)
jagatî - lit. the universe (i.e. jagatî Medhá = that Medhá Devi in the form of the intelligence backing the order behind the functions in all life forms)
jagamyá - lit. accessible (i.e. jagamyá Medhá = that Medhá Devi in the form of the intelligence which is worth gaining)
Coming to me, (may She) by whom one gains self-knowledge, who manifests as all forms of knowledge, who flashes as presence of mind, who manifests as the intelligence behind the order involved in the functions in all life forms, who is worth possessing, …

 ūrja’svatī paya’sāpinva’mānā sā mā”ṃ medhā supratī’kā juṣantām ||
úrjasvatî – lit. powerful (i.e. gain strength in me)
payasá – lit. with milk of boons (i.e. with knowledge)
pinvamáná - showering
sá - she
mám - me
Medhá - intellection
supratîká - auspicious beginning (to study of scripture)
jushantám - may (he/she/it) bless
… gain strength in me, shower me with knowledge, may that Medhá Devî bless me with an auspicious
beginning to the study of scriptures.
May that Medhá Devî,
by whom one gains self-knowledge,
who is the intelligence behind all disciplines known to the mind,
who flashes as presence of mind in any situation,
who manifests as the intelligent order behind the functions in all life forms,
who is worth possessing… come to me, grow in me, shower me with knowledge, bless me with an auspicious beginning to my study of scripture.

mayi’ medhāṃ mayi’ prajāṃ mayyagnistejo’ dadhātu mayi’ medhāṃ mayi’ prajāṃ mayīndra’ indriyaṃ da’dhātu mayi’ medhāṃ mayi’ prajāṃ mayi sūryo bhrājo’ dadhātu ||

mayi - in me
medhám - intellection
mayi - in me
prajám - progeny
mayi - in me
agnistejo - the Lord in the form of fire (agni devatá) and strength (tejas)
dadhátu - place, infuse
May Agni, deity of speech, infuse me with strength and intelligence and bless me with good progeny.


mayi - in me
medhám - intellection
mayi - in me
prajám - progeny
mayi - in me
indra - Indra
indriyam - virility
dadhátu - place, infuse
May Indra, deity of the power of action, infuse me with virility and intelligence and
bless me with good progeny.

mayi - in me
medhám - intellection
mayi - in me
prajám - progeny
mayi - in me
súryo - the sun
bhrájo - brilliance
dadhátu - place, infuse
May Súrya, deity of seeing, who inspires our thoughts, infuse me with brilliance and
intelligence and bless me with good progeny.
oṃ haṃsa haṃsāya’ vidmahe’ paramahaṃsāya’ dhīmahi | tanno’ haṃsaḥ pracodayā”t ||
oṃ śāntiḥ śāntiḥ śānti’ḥ ||

Tuesday, November 13, 2012

Deepavali - From Darkness to Light



Divali is a festival of lights (it should correctly be called deepavali, row or group of lights). The lights are symbolic of not only celebrations but means of removing darkness – with light and darkness representing knowledge and ignorance respectively. It is the light that allows us to see things and interpret them. In this context, it is appropriate to remind ourselves of the true Light that enables our perceptions.

 Sri Adi Sankaracharya, in his famous verse called Eka Sloki (One Verse), highlights this.

"ఆత్మస్వరూప కథనం"

కిం జ్యోతిస్తవ భానుమానహాని మే రాత్రౌ ప్రదీపాదికం
స్యాదేవం రవి దీప దర్శన విధౌ కిం జ్యోతిరాఖ్యాహి మే
చక్షుస్తాస్య  నిమీలనాది సమయే కిం ధేహ్ ధియో దర్శనే
కిం తత్రాహమతో భావాన్ పరమకం జ్యోతిస్ తధస్మి ప్రభో ||


Eka Sloki, by Adi Sankaracharya

Kim Jyothisthava bhanumaanahani me ratrau pradeepaadikam.
Syaadevam ravi deepa darsana vidhau kim jyothiraakhyaahi me
Chakshustasya nimeelanaadi samaye kim dheeh dhiyo darsane
Kim tatrahamatho bhavaan paramakam jyothisthadasmi prabho.

The sloka takes the form of questions by the teacher (in italics below) and answers by a student to give the student a glimpse of the true nature of perceptions by all creatures enabled by the universal Light. It goes like this - “By what light do you see?” “Sun in the day and a lamp in the night” “Let it be. By what light do you see the sun and lamp?” “Eyes” “When you close your eyes (as in sleep), what is the light?” “ My intellect” “What light helps the intellect to see?” “ I (Atma, Self).” “So, you are the ultimate source of light (self-luminous universal Self)” “Yes, I now understand so, my Lord”.

The sloka makes the point that it is the Self that is the ultimate entity behind all our perceptions (though the sloka takes eye sight as an example, it applies to other sensors as well). The external sensory organs and the mind are merely transporters of information. Adi Sankara elaborates further on this in his work, Drikdrusya Vivekam. He analyzes drik (who sees) and drusya (object being seen). As we see an object, say a table, the eye transports it to mind, which categorizes it, and the Self is the enabler of the mind. It is also interesting that the information flows only in one direction – table cannot see the eye, eye cannot see the mind, and mind cannot see Self!

 It is this Self that is the source of light in all beings, a Universal presence. We are all driven by the different things we see around us and interpret them. All of us are like identical computers with the same operating system but gathering different data based on circumstances and environment in which we were born and raised. These databases together with the six enemies, (షట్చత్రుహూ, shatchatruhu - కామ, kama, క్రోధ, krodha, లోభ, lobha, మోహ moha, మద, mada, మాత్సర్య , matsarya) desire, anger, miserliness, attachment, arrogance, and jealousy respectively, play on our mind and make us interpret the gathered data in our own way creating all the different viewpoints even though we are in the same environment. This process makes us feel as though we are different from each other and gives us an egotistical existence. The ego in us makes us feel we are different from all the others and drives us through all our perceived needs; need to be loved and admired, need to feel important over others, pursuit of endless desires, etc. It looks ridiculous if a water bubble in ocean thinks it is different from the rest of the ocean. In the same way, we are all bubbles in this ocean of life and creation, though our egos make us act as though we are different!

It is our ego that makes us ignore the universality underlying all objects and beings. The ego drives us to acquire and keep things around us just to prop up our perceived uniqueness. It is only through the complete cessation of ego that we will be able to see the Oneness among us leading us to universal love (భూతదయ, bhoothadaya). The cessation of ego takes us beyond the daily afflictions of life, which is the gateway to true Happiness ( ఆనంద, Ananda). Thus, let us remember the Universality of that Light that is guiding all of us as we go about in our daily lives. To continually work towards reducing our ego, we need to think of everything we do each day in the name of the Lord, instead of thinking about us.

Adi Sankaracharya describes this approach eloquently in the following sloka:

ఆత్మా త్వం గిరిజా మతిః సహచరాః ప్రాణాః శరీరం గృహం పూజా తే విషయోపభోగ-రచనా నిద్రా సమాధిస్థితిః | సంచారః పదయోః ప్రదక్షిణవిధిః స్తోత్రాణి సర్వా గిరో యద్యత్కర్మ కరోమి తత్తదఖిలం శంభో తవారాధనమ్ ||

Siva Manasa Puja, by Adi Sankaracharya

Atmaa thvam girijaa mathihi sahacharah praanaah sareeram gruham
pujaathe vishayopabhogarachanaa nidraa samaadhisthithihi
sanchaarah padayoh pradakshinavidhihi stotraani sarvaa giro
yadyatkarma karomi thattadakhilam sambho thavaaraadhanam

 (my) Self is You, Parvathi is my intellect, my five life-forces are Your attendants, my body is Your abode, all my sensory perceptions are Your worship, my sleep is deep meditation on You, all my walk is walking around You, whatever I speak is in praise of You, O Giver of divine joy, whatever I do is in devotion to you!

ఓం తమసో మా జ్యోతిర్గమయ , Om tamaso maa jyotirgamaya


From darkness, lead me to Light

                                                                                                             -Ambatipudi Sastry

KARTEEKA MASA AAKAASA DEEPAM

From 14.11.2012 to 13.12.2012 in the month of Kartheekam daily at the time of sun set we have to lit til(sesame) oil lamp with 8 vathies(cotton wicks) and place the lamp on a pedestal outside to your house or on the top floor or those who live in flats has to place in the balconies. The purpose of lighting the lamp is to spread the light to eight sides. authority for doing this is in Nirnaya Sindhu.

kaarteeke thilathailena saayankaale samaagate
aakaasadeepam yo dadhyath maasamekam harim prati
mahatheem sriyamaapnoti rupa sowbhaagya sampadam

కార్తీకే తిలతైలేన సాయంకాలే సమాగతే, ఆకాశదీపం యో దద్యాత్ మాసమేకం హరిం ప్రతి,మహతీం శ్రియమాప్నోతి రూప సౌభాగ్య సంపదం(నిర్ణయ సింధు)

సంకల్పం: అహం సకల పాపక్షయపుర్వకం శ్రీ రాదా దామోదర ప్రీతయే అద్య ఆరంభ కార్తీక అమావాస్యా పర్యంతం యథా శక్తి ఆకాశ దీపదానం కరిష్యే 

sankalpam: aham sakala paapakshaya purvakam sri radhaa daamodara preetaye aadhya aarambha kaarteeka amaavaasya paryantam yadhaa sakti aakaasa deepa daanam karishye.

after litting the lamp we have to do namaskaram to the lamp with the following sloka

daamodaraaya nabhasi tulaayaam lolayaa saha
padeepam the payachaami namo anantaaya vedhase (nirnaya sindhu)

దామోదరాయ నభసి తులాయాం లోలయా సహా, ప్రదీపం తే ప్రయచ్చామి నమో అనంతాయ వేధసే (నిర్ణయ సింధు)

If it is not possible to do all the thirty days at least last three days should be done by doing this we will have wealth and peace of mind and the debts accumulated will be reduced drastically. 

The purpose of lighting lamp on height will also help people stranded in olden days when electricity is not there to locate that there is a village/habitation available for night stay. 

hope you will also do and benefit with the results. 

may god bless you.

Monday, November 12, 2012

Devi PraNava Sloki - Telugu

శ్రీ కాలిదాస కృత దేవీ ప్రణవశ్లోకీ స్తుతి


చేటీ భవన్నిఖిల కేటీ కదంబ వనవాటీషు నాకపటలీ
కోటీర చారుతర కోటీమణీ కిరణ కోటీకరంజిత పదా |
పాటీర గంధి కుచ శాటీ కవిత్వ పరిపాటీమగాధిపసుతామ్
ఘోటీకులాదధిక ధాటీ ముదారముఖ వీటీర సేనతనుతామ్ || ౧ ||

ద్వైపాయన ప్రభృతి శాపాయుధ త్రిదివసోపానధూళిచరణా
పాపాప హస్వ మను జాపానులీన జన తాపాప నోద నిపుణా |
నీపాలయా సురభి ధూపాలకా దురిత కూపాదుదంచయతుమామ్
రూపాధికా శిఖరి భూపాల వంశమణి దీపాయితా భగవతీ || ౨ ||

యాళీ భిరాత్త తనురాళీ లసత్ప్రియ కపాళీషు ఖేలతి భవా
వ్యాళీనకుల్య సిత చూళీ భరాచరణ ధూళీ లసన్ముణిగణా |
పాళీ భృతిస్రవసితాళీ దళమ్ వహతి యాళీకశోభి తిలకా
సాళీ కరోతు మమ కాళీ మనః స్వపదనాళీకసేవన విధౌ || ౩ ||

బాలామృతాంశు నిభ ఫాలామనా గరుణ చేలానితంబఫలకే
కోలాహలక్షపిత కాలామరాకుశల కీలాల శోషణ రవిః |
స్థులాకుచే జలద నీలాకచే కలిత లీలాకదంబ విపినే
శూలాయుధ ప్రణతి శీలా దధాతు హృది శైలాధిరాజ తనయా || ౪ ||

కంబావతీవ సవిడంబాగళేన నవ తుంబాంగ వీణ సవిధా
బింబాధరావినత శంభాయుధాది నికురుంబా కదంబవిపినే |
అంబాకురంగ మద జంబాళరోచి రహలంబాలకా దిశతు మే
శంభాహుళేయ శశిబింబాభిరామముఖ సంభాధితస్తనభరా || ౫ ||

దాసాయమాన సుమహాసా కదంబవనవాసా కుసుంభసుమనో-
వాసా విపంచికృత రాసావిధూయ మధుమాసారవింద మధురా |
కాసారసూనతతి భాసాభిరామ తనురాసార శీత కరుణా
నాసామణి ప్రవరభాసా శివా తిమిరమాసాదయేదుపరతిమ్ || ౬ ||

న్యంకాకరే వపుషి కంకాళరక్తపుషి కంకాదిపక్షివిషయే
త్వంకామనామయసి కింకారణం హృదయ పంకారిమేహి గిరిజామ్ |
శంకాశిలా నిశితటంకాయమాన పద సంకాశమాన సుమనో
ఝంకారి భృంగతతి మంకానుపేత శశి సంకాశవక్త్ర కమలామ్ || ౭ ||

జంభారికుంభి పృథు కుంభాపహాసి కుచ సంభావ్య హార లతికా
రంభాకరీంద్ర కరడంబాపహోరుగతి డింభానురంజితపదా |
శంభావుదార పరికంభాంకురత్పుళక డంభానురాగపిసునా
శంభాసురాభరణగుంభా సదాదిశతు శుంభాసురప్రహరణా || ౮ ||

దాక్షాయణీ దనుజశిక్షావిధౌ వికృత దీక్షా మనోహరగుణా
భిక్షాళినో నటనవీక్షావినోదముఖి దక్షాధ్వరప్రహరణా |
వీక్షాం విధేహి మయి దక్షా స్వకీయ జన పక్షా విపక్షవిముఖీ
యక్షేశ సేవిత నిరాక్షేప శక్తి జయలక్ష్మ్యావధానకలనా || ౯ ||

వందారులోకవరసంధాయనీ విమలకుందావదాతరదనా
బృందారబృందమణి బృందారవింద మకరందాభిషిక్తచరణా |
మందానిలాకలిత మందారదామభిర మందాభిరామమకుటా
మందాకినీ జవనబిందానవా చమరవిందాసనా దిశతు మే || ౧౦ ||

యత్రాశయోలగతి తత్రాగజాభవతు కుత్రాపి నిస్తులశుకా
సుత్రామ కాల ముఖ సత్రాసన ప్రకర సుత్రాణ కారి చరణా |
చత్రానిలాతి రయ పత్రాభిరామ గుణమిత్రామరీ సమవధూః
కుత్రాసహీన మణి చిత్రాకృతిస్ఫురిత పుత్రాదిదాననిపుణా || ౧౧ ||

కూలాతిగామి భయ తూలా వళి జ్వలన కీలా నిజ స్తుతి విధా
కోలాహల క్షపిత కాలామరీ కుశల కీలాల పోషణరతా |
స్థూలా కుచే జలద నీలా కచే కలిత లీలా కదంబ విపినే
శూలాయుధ ప్రణతి శీలా విభాతు హృది శైలాధిరాజతనయా || ౧౨ ||

ఇంధానకీరమణి బంధా భవే హృదయ బంధావతీవరసికా
సంధావతీ భువన సంధారణేప్యమృత సింధావుదారనిలయా |
గంధానుభావ ముహురంధాళి పీతకచబంధా సమర్పయతు మే
శం ధామ భానుమపిరుంధానమాశు పదసంధానమప్యనుగతా || ౧౩ ||

Sunday, November 11, 2012

Scientific Reason Behind visiting Temples

There are thousands of temples all over India in different size, shape and locations but not all of them are considered to be built the Vedic way. Generally, a temple should be located at a place where earth's magnetic wave path passes through densely. It can be in the outskirts of a town/village or city, or in middle of the dwelling place, or on a hilltop. The essence of visiting a temple is discussed here.

        Now, these temples are located strategically at a place where the positive energy is abundantly available from the magnetic and electric wave distributions of north/south pole thrust. The main idol is placed in the core center of the temple, known as "*Garbhagriha*" or *Moolasthanam*. In fact, the temple structure is built after the idol has been placed. This *Moolasthanam* is where earth’s magnetic waves are found to be maximum. We know that there are some copper plates, inscribed with Vedic scripts, buried beneath the Main Idol. What are they really? No, they are not God’s / priests’ flash cards when they forget the *shlokas*. The copper plate absorbs earth’s magnetic waves and radiates it to the surroundings. Thus a person regularly visiting a temple and walking clockwise around the Main Idol receives the beamed magnetic waves and his body absorbs it. This is a very slow process and a regular visit will let him absorb more of this positive energy. Scientifically, it is the positive energy that we all require to have a healthy life.

      Further, the Sanctum is closed on three sides. This increases the effect of all energies. The lamp that is lit radiates heat energy and also provides light inside the sanctum to the priests or *poojaris* performing the pooja. The ringing of the bells and the chanting of prayers takes a worshipper into trance, thus not letting his mind waver. When done in groups, this helps people forget personal problems for a while and relieve their stress. The fragrance from the flowers, the burning of camphor give out the chemical energy further aiding in a different good aura. The effect of all these energies is supplemented by the positive energy from the idol, the copper plates and utensils in the *Moolasthan*am / *Garbagraham*. *Theertham*, the “holy” water used during the pooja to wash the idol is not plain water cleaning the dust off an idol. It is a concoction of Cardamom,*Karpura* (Benzoin), zaffron / saffron, *Tulsi* (Holy Basil), Clove, etc...Washing the idol is to charge the water with the magnetic radiations thus increasing its medicinal values. Three spoons of this holy water is distributed to devotees. Again, this water is mainly a source of magneto-therapy. Besides, the clove essence protects one from tooth decay, the saffron & *Tulsi* leafs protects one from common cold and cough, cardamom and *Pachha Karpuram* (benzoin), act as mouth fresheners. It is proved that *Theertham* is a very good blood purifier, as it is highly energized. Hence it is given as *prasadam* to the devotees. This way, one can claim to remain healthy by regularly visiting the Temples. This is why our elders used to suggest us to offer prayers at the temple so that you will be cured of many ailments. They were not always superstitious. Yes, in a few cases they did go overboard when due to ignorance they hoped many serious diseases could be cured at temples by deities. When people go to a temple for the *Deepaaraadhana*, and when the doors open up, the positive energy gushes out onto the persons who are there. The water that is sprinkled onto the assemblages passes on the energy to all. This also explains why men are not allowed to wear shirts at a few temples and women are requested to wear more ornaments during temple visits. It is through these jewels (metal) that positive energy is absorbed by the women. Also, it is a practice to leave newly purchased jewels at an idol’s feet and then wear them with the idol’s blessings. This act is now justified after reading this article. This act of “seeking divine blessings” before using any new article, like books or pens or automobiles may have stemmed from this through mere observation.

       Energy lost in a day’s work is regained through a temple visit and one is refreshed slightly. The positive energy that is spread out in the entire temple and especially around where the main idol is placed, are simply absorbed by one's body and mind. Did you know, every Vaishnava(Vishnu devotees), “must” visit a Vishnu temple twice every day in their location. Our practices are NOT some hard and fast rules framed by 1 man and his followers or God’s words in somebody’s dreams. All the rituals, all the practices are, in reality, well researched, studied and scientifically backed thesis which form the ways of nature to lead a good healthy life.

      The scientific and research part of the practices are well camouflaged as “elder’s instructions” or “granny’s teaching’s” which should be obeyed as a mark of respect so as to once again, avoid stress to the mediocre brains.

                                                                                                                                             By - A.Prasad

Monday, October 8, 2012

THE ASANAS OF YOGA


THE ASANAS OF YOGA

The first Asan gives strength, and cures diseases of the muscles and nerves of the body. There are eighty-four Asans. Some of them are used to retain youth; others are used to produce calm, peace and harmony.

THE PRATYAHARE YOGA

This Yoga is the best for controlling lust, passions, etc. It is used to stop the thinking principle, or bring the mind under control. The lower mind is ignorance itself, and until this fluttering mind is made to come to one point, the blessed state of peace cannot be attained.

All danger is caused by ignorance. There is no danger that comes from wisdom.

"He is mightier who controls his spirit, than he who conquers the city."

All the dangers come from uncontrolled mind. If every one would control the mind, all the miseries of this 
world would cease. All inharmony in the home is caused by lack of understanding of each other, and uncontrolled thoughts.

When people learn to control themselves and understand each other, then the poor Judge of the divorce courts will be relieved.

MUDRAS MOVE THE KUNDALINI

There are Eighty-four Mudras in Yoga.

Why do Yogins practice Mudras and the five Dharanas?

To control the five Life or Vital Forces that are working in the human body. When these five forces are controlled, Yogins attain emancipation, or liberation.

What are the five forces and from whence they come?

The names of these forces are: Prana, Apana, Samana, Vyana, and Udana, and they come from the Kundalini. They are part of the Kundalini's energy (dynamic).

Through Mudras the Yogins succeed in gathering these five forces together, bringing them to their home, the Mother Kundalini, which is sleeping at the Muladhara Chakra, as Static energy of the Mother of the Universe. Yogins force the Prana and Apana to the place where this Static energy of the Kundalini is sleeping. Thus they awaken her.

First. The Earth Dharana. "When the Yogin opens the 'Earth Chakra' by the power of the Kundalini, he conquers the earth, and no earthly element can injure him. He walks over the land, freed from death."

Second. The Water Dharana. "Next the Yogin moves the Kundalini energy up to the second Chakra—the 'Water Chakra'. By opening this Chakra the Yogin is free from all sorrow, no water can ever harm him. Although he be thrown in the deepest water, "he will never die in the water." This Mudra should be kept very carefully secret, as by revealing this, success is lost."

Third, The Fire Dharana. "The Yogin should move the Kundalini energy up to the 'Fire Chakra.' When the Yogin opens this Chakra, known as Fire Dharana—the killer of the fear of death—then "fire can not harm or burn the Yogin." What else is there for him to fear?"

Fourth, The Air Dharana. "The Yogin opens this Chakra by bringing the Kundalini energy upward, and as soon as he has succeeded in opening the 'Air Chakra,' he has mastered levitation. This Mudra is the destroyer of death, and the Yogin will never be disturbed by air. This can not be taught to the faithless; by doing so all success would be lost."

Fifth, The Ether Dharana. "Here the Yogin moves the energy of the Mother Kundalini upward and opens the 'Ether Chakra.' As soon as he is successful in opening this Chakra, he has opened the door of liberation or emancipation—he will never die unless he wills it."

"When the Yogin has learned the five Dharanas, the human body can visit and re-visit the Heavens, and he can go wherever he likes, as swiftly as the mind.

"Yogins should also practice the Bhastrika Kumbhaka. That, too, will awaken the Kundalini. He should move or awaken the Kundalini again and again, and though he be in the mouth of death, he need not fear it.

"When the Apana rises upward to the 'Fire Chakra,' the flame of divine fire grows strong and bright, being fanned by Apana. When the Apana fire mixes with the Prana, which is naturally hot, the spiritual heat of the body becomes bright and powerful." When the Kundalini feels this extra heat, she will awaken from sleep; then she goes into the Sushumna. As a key can open a door, so Yogi should open the door of liberation by awakening the Kundalini. The Kundalini is coiled like a serpent, and by Mudra or Pranayama processes the Kundalini will certainly move and open the mouth of the Sushumna.

"Without moving the Kundalini, there are no other means that will clear away the impurities of the 7200 Nadis.

"Yogins should practice the Bhastrika Kumbhaka, three hours daily; then he need have no fear of death.
"The Great Goddess Kundalini, the Energy of the Self, sleeps in the Muladhara. She has the form of a serpent, having three coils and a half. As long as she is asleep in the body, (finer body), the jiva is a mere animal, and true wisdom does not arise, though Yogi may practice ten million Yoga.

"When Kundalini is sleeping it is awakened by the kind Guru (the spiritual teacher); then all the Chakra's knots are pierced, and the Prana then goes thru the Sushumna. The mind is then controlled, and the Yogi arises above death. Yogi should practice daily some of the following Mudras: Maha Mudra, Nabho Mudra, Udiyana, Maha Bandha, Maha Vedha, Kechari, Jalandhara, Yoni, Viparitakarna, Kaki, Sambhavi and others.

"Maha Mudra should be practiced with the Jalanhara Bandha. Practice of this Mudra will cure fever, bowel trouble, enlargement of the spleen, indigestion, consumption, leprosy and any other diseases. It will awaken the Kundalini. It is called the Great Mudra by the wise. Practice of the Mudras should be equal on both sides.

"The Nabho Mudra should be practiced, and it is easy to practice. It, too, makes the Yogi safe from all diseases, and the body never becomes old but keeps perpetual youth.

"The Maha Bandha Mudra should be practiced with Jalandhara Mudra, which will bring the Prana downward. He who practices this Mudra will control the Prana and Aprana and move the Kundalini.

"The Maha Vedha Mudra is the best Mudra to awaken the Kundalini, but should be practiced with the Bandha and Maha Bandha. It gives success to Yogi over all nature's finer forces.

"Yogi should practice in secret, and not tell any one if he desires success.

"The Udiyana, or Flying Up Mudra, moves the Goddess Kundalini, and who masters this Mudra will be Master of all powers, like levitation, etc. This Mudra makes it easy to attain emancipation, and is the key that unlocks the door of liberation.

"The Mula Bandha Mudra is the best Mudra to control the Apana and Prana, and is the key to everlasting youth. Mixing the Prana and Apana causes heat in the body; that heat causes the Kundalini to awaken—then she goes upward thru the Sushumna. In that Sushumna all wisdom and powers are.

"Jalandhara Mudra is the well tried Mudra for keeping old age, decay and death away. It saves the nectar and keeps the vital force moving in the right Nadi. Who practices this Mudra daily, becomes an adept. Yogi should practice Maha Bandha, Udiyana and Jalandhara all at once.

"Khechari Mudra is the King of all the 'Mudras. It is hard to attain. The Yogi who masters it even for half an hour, will overcome hunger, thirst, decay and death—his body becomes divine. The earth, water, fire, air and ether can not harm that body. Yoni Mudra, Viparitakaran Mudra, Vajroni Mudra, Sakti Mudra, Manduki Mudra and Sambhavi Mudra are well tried, and will awaken the Kundalini.

"The five Dharanas should be learned from a Master. With these Dharanas a Yogi goes wherever he wants to with his physical body; he may go to Heaven, walk on water, air and fire. and is Master of All. Except for the practice of Kundalini, what other means ate there to purify the Nadis? Once setting this power moving, Yogi should practice constantly. Who can practice a yama, need have no fear of death. Hatha Yoga and Raja Yoga should be practiced together, as Hatha Yoga is dependent upon Raja Yoga and Raja Yoga is dependent upon Hatha Yoga. These Mudras should not be taught to the wicked and faithless, but they should be taught to calm, peaceful and faithful students. And he who teaches the secret of the Mudras is the real Guru. He can be called Ishwar (God), in human form.

"What more shall tell, O Devi? There is nothing in this world like the Mudras to attain the human goal quickly and successfully."

WHAT IS THE KUNDALINI WHEN AWAKENED—WHAT THEN?


The Kundalini, when awakened, is the giver of all power, health, wealth and success. The Kundalini feeds the baby in the mother's womb. She fulfills our every desire. She is the All in All.

"I praise Tripura which is the treasure house of the race.

"The Kundalini, has three angles as well as three circles, and her Bhupura is three-lined. Her Mantra is three syllables, and she has three aspects. The Kundalini energy is also threefold in order that she may create the three Gods (Brahma, the Creator, or air; Vishnu, the Preserver, or water: Rudra, the Destroyer, or fire). Since she is triple everywhere, she is Tripura."

"O Mother of the Universe, those who praise you by the words, Mother, All in All, and Maya, will obtain all. There is nothing which can not be obtained on earth or in the Heavens, by Thy Grace."

This is as it should be, as the Kundalini is Power of Powers, Light of Lights, and All in All.

The Kundalini is Divine static and dynamic energy. The static energy (Kundalini), is sleeping at the Muladhara (Root Chakra); the dynamic energy of the Kundalini is all over the body as Prana, Apana, Samana, Vyana, and Udana. These five Vital breaths, or life forces, keep the body together. The duties of the five Pranas are as follows: Prana remains in the upper part of the body, and always moves upward; the Apana resides in the lower part of the body, or abdomen, and always flows downward; the Samana stays in the first section of the torso, digesting and distributing the food substances; the Vyana resides in the heart, and from there moves all over the body, its duty being the circulation of the blood; the Udana carries the Soul upward when the body dies.

These five Pranas stay in the grosser body. They are also in the finer or subtle body—the five finer breaths corresponding to the five grosser Pranas above described.

The Pranayama Yoga, the Mudra Yoga, and Dharana Yoga, are all for the control of the five Pranas and mind. Mind without Prana is like a bird without wings. The practice of the Mudras is to control the dynamic energy of the Kundalini, namely, Prana, Apana, etc. 

The practice of Pranayama is also to control the Prana, Apana, etc.—the dynamic energy of the Kundalini, and with it awaken the static energy of the Kundalini, which is sleeping at the Muladhara, or
root Chakra. When the five Pranas are controlled or made to stop at the desired place, the Muladhara Chakra, or at the door of the Sushumana, it will work like a spark to the static energy of the Kundalini.

"When Prana and Apana are mixed, it will naturally cause heat in the body; then the body becomes light and powerful. This extreme heat when felt by the Kundalini, causes her to awaken from sleep. Then she goes into the Sushumana." (From H. Y. P.)
The duty of the Yogin is to gather together or control the five Pranas—the life force of the Kundalini—that the dynamic energy of the Kundalini may be used to awaken the static energy of it, as one Kundalini energy will move the other energy.

When the Kundalini awakens or moves, what then remains? What will become of the Kundalini? She will go to the Six Chakras and also remain at her place. As steam is converted from water by heat and again returns to it, so rises the dynamic energy of the Kundalini, which goes up to the different Chakras and returns again and again.. While she will reach to the Sahasrara, still she will be at her home at the Muladhara Chakra.
The Kundalini power can only be known by Master Yogins, but some times even ordinary Yogins can see it, however not as clearly, as long as the inner eye is not open. When the Yogin has opened the inner eye, then he sees the different Chakras and the energy of the Kundalini, which is Life of Life, and Light of Lights.
The following Masterly and Scientific explanation of the Kundalini is by Prof. P. Mukhyopadhyaya, and was written for Arthur Avalon and brought out in his book.
"The Serpent Power," pp. 302-313.
I here acknowledge my thanks for the use of this explanation, and I wish that every student of Yoga would read "The Serpent Power." R. S. Gherwal.

"When you say that Kundali Shakti is the primordial Shakti at rest, I am led to think of an analogy (and it may be more than an analogy) in modern science. Cosmic energy in its physical aspect may be considered either as static or as dynamic, the former being a condition of equilibrium, the latter a condition of motion or change of relative position. Thus a material thing apparently at rest (there being no absolute rest except in pure Consciousness or Chit) should be regarded as energy or Shakti equilibrated, the. various elements of it holding one another in check (or, as the mathematicians will say, the algebraic sum of the forces being zero). Of course, in any given case the equilibrium is relative rather than absolute. The important thing to note is this polarisation of Shakti into two forms—static and dynamic.

In the tissues of a living body, again, the operative energy (whatever the nature of that may be, whether we believe in a special 'vital force' or not) polarises itself into two similar forms—anabolic and katabolic—one tending to change and the other to conserve the tissues, the actual condition of the tissues being simply the resultant of these two coexistent or concurrent activities.

In the mind or experience also this polarisation or polarity is patent to reflection. In my own writings * I have constantly urged: this polarity between pure Chit and the stress which is involved in it: there is a stress or Shakti developing the mind through an infinity of forms and changes; but all these forms and changes are known as involved in the pure and unbounded ether of awareness (Chidakasha). This analysis therefore exhibits the primordial Shakti in the same two polar forms as before—static and dynamic—and here the polarity is most fundamental and approaches absoluteness.

Lastly, let us consider for one moment the atom of modern science. The chemical atom has ceased to be an atom (indivisible unit of matter). We have instead the electron theory. According to this, the so-called atom is a miniature universe very much like our own solar system. At the centre of this atomic system we have a charge of positive electricity round which a cloud of negative .charges (called electrons) is supposed to revolve, just as myriads of planets and smaller bodies revolve round the sun. The positive and the negative charges hold each other in check, so that the atom is a condition of equilibrated energy, and does not therefore ordinarily break up, though it may possibly break up and set free its equilibrated store of energy, as probably it does in the emanations of the radium. What do we notice here? The same polarity of Shakti into a static and a dynamic partner—viz., the positive charge at rest at the centre, and the negative charges in motion round about the centre; a. most suggestive analogy or illustration, perhaps, of the cosmic fact. The illustration may be carried into other domains of science. and philosophy, but I may as well forbear going into details.

 For the present we may,. I think, draw this important conclusion:
Shakti, as manifesting itself in the universe, divides itself into two polar aspects—static and dynamic—which implies that you cannot have it in a dynamic form without at the same time having it in a corresponding static form, much like the poles of a magnet. In any given sphere of activity of force we must have, according to this cosmic principle, a static background—Shakti at rest or 'coiled', as the Tantras say.

Before I proceed, let me point out what I conceive to be the fundamental significance of our Tantric and Pauranic Kali. This. figure or Murti is both real and symbolic, as indeed every Murti in the so-called Hindu mythology is. Now, the Divine Mother Kali is a symbol of the cosmic truth just explained. Sadashiva, on whose breast She dances, nude and dark, is the static background of pure Chit, white and inert (Shavarupa), because pure Chit is in itself Svaprakasha (self manifest) and Nishkriya (actionless). At the same time, apart from and beyond Consciousness there can be nothing—no power orShakti—hence the Divine Mother stands on the bosom of the Divine Father. The Mother Herself is all activity and Gunamayi (in Her aspect as Prakriti composed of the Gunas). Her nakedness means that, though She encompasses all, there is nothing to encompass Herself; her darkness means that She is inscrutable, Avang-manasagochara (beyond the reach of thought and speech). Of course, this is no partition of reality into two (there lies the imperfection of the Sangkhya doctrine of Purusha and Prakriti, which is otherwise right), but merely polarisation in our experience of an indivisible fact which is the primordial (Adya) Shakti itself. Thus Chit is also Shakti. Shiva is Shakti and Shakti is Shiva, as the Tantras say. It is Gunashraya (support of Gunas) as well as Gunamaya (whose substance is Gunas); Nirguna (attributeless) as well as Saguna (with attribute), as said in a well-known passage of the Chandi."

Your suggestive hint makes the nature of the Kundali Shakti rather clear to me. You are quite right, perhaps, in saying that the cosmic Shakti is the Samashti (collectivity) in relation to which the Kundali in the bodies is only the Vyashti (individual): it is an illustration, a reproduction on a miniature scale, a microcosmic plan, of the whole. The law or principle of the whole—that of macrocosmic Shakti—should therefore be found in the Kundali. That law we have seen to be the law of polarisation into static-dynamic or potential-kinetic aspects. In the living body, therefore, there must be such polarisation. Now, the Kundali coiled three times and a half at the Muladhara is the indispensable and unfailing static background of the dynamic Shakti operative in the whole body, carrying on processes and working out changes. The body, therefore, may be compared to a magnet with two poles. The Muladhara is the static pole in relation to the rest of the body, which is dynamic; the working the body necessarily presupposes and finds such a static support, hence perhaps 3 the name Muladhara, the fundamental support. In one sense, the static Shakti at the Muladhara is necessarily coexistent with the creating and evolving Shakti of the body, because the dynamic aspect or pole can never be without its static counterpart. In another sense, it is the Shakti left over (you have yourself pointed this out, and the italics are yours), after the Prithivi—the last of the Bhutas—has been created, a magazine of power to be drawn upon and utilized for further activity, if there should arise any need for such. Taking the two senses together (yours as well as mine), Shakti at the Muladhara is both coexistent with every act of creation or manifestation and is the residual effect of such act—both cause and effect, in fact—an idea which, deeply looked into, shows no real contradiction. There is, in fact, what the physicist will describe as a cycle or circuit in action. Let us take the impregnated ovum—the earliest embryological stage of the living body. In it the Kundali Shakti is already presented in its two polar aspects: the ovum, which the mother-element represents, one pole (possibly the static), and the spermatozoon, which is the father-element, represents the other (possibly the dynamic).  From their fusion proceed those processes which the biologist calls differentiation and integration; but in all this process of creation the cycle can be fairly easily traced. Shakti flows out of the germinal cell (fertilised ovum), seizes upon foreign matter, and assimilates it and thereby grows in bulk; divides and subdivides itself, and then again co-ordinates all its divided parts into one organic whole. Now in all this we have the cycle. Seizing upon foreign matter is an outwardly directed activity, assimilation is an inwardly directed activity or return current; cell division and multiplication is an outwardly directed operation, co-ordination is inwardly directed;  and so on. The force in the germ-cell is overflowing, but also continuously it is flowing back into itself, the two operations presupposing and sustaining each other, as in every circuit. The given stock of force in the germ-cell, which is static so long as the fusion of the male and female elements does not take place in the womb, is the necessary starting-point of all creative activity; it is the primordial cause, therefore, in relation to the body—primordial as well as constantly given, unceasing. On the other hand, the reaction of every creative action, the return current or flowing back of every unfolding over flow, constantly renews this starting force, changes it without changing its general condition of relative equilibrium (and this is quite possible, as in the case of any material system); the force in the germ-cell may therefore be also regarded as a perpetual effect, something left over and set against the working forces of the body. Many apparently inconsistent ideas enter into this conception, and they have to be reconciled.

"1. We start with a force in the germ-cell which is statical at first (though, like a dicotyledon seed, or even a modern atom, it involves within itself both a statical and a dynamical pole; otherwise, from pure rest, involving no possibility of motion, no motion could ever arise). Let this be the Kundali coiled.

"2. Then there is creative impulse arising out of it; this is motion out of rest. By this, the Kundali becomes partly static and partly dynamic, or ejects, so to say, a dynamic pole out of it in order to evolve the body, but remaining a static pole or background itself all along. In no part of the process has the Kundali really uncoiled itself altogether, or even curtailed its three coils and a half. Without this Muladhara Shakti remaining intact no evolution could be possible at all. It is the hinge upon which everything else turns.

"3. Each creative act again reacts on the Muladhara Shakti, so that such reaction, without disturbing the relative rest of the coiled Shakti, changes its volume or intensity, but does not curtail or add to the number of coils. For instance, every natural act of respiration reacts on the coiled Shakti at the Muladhara, but it does not commonly make much difference. But Pranayama powerfully reacts on it, so much so that it awakes the dormant power and sends it piercing through the centres. Now, the common description that the Kundali uncoils Herself then and goes up the Sushumna, leaving the Muladhara, should, I think, be admitted with caution. That static background can never be absolutely dispensed with. As you have yourself rightly observed, 'Shakti can never be depleted, but this is how to look at it'. Precisely; the Kundali, when powerfully worked upon by Yoga, sends forth an emanation or ejection in the likeness of Her own self (like the 'ethereal double' of the Theosophists and Spiritualists) which pierces through the various centres until it becomes blended, as you point out, with the Mahakundali of Shiva at the highest or seventh centre. Thus, while this 'ethereal double' or, self-ejection of the coiled power at the Muladhara ascends the Sushumna, the coiled power itself does not and need not stir from its place. It is like a spark given from an over saturated 6 electro-magnetic machine; or, rather, it is like the emanations of radium which do not sensibly detract from the energy contained in it. This last, perhaps, is the closest physical parallel of the case that we are trying to understand. As a well-known passage in the Upanishad has it, 'The whole (Purna) is subtracted from the whole, and yet the whole remains.' I think our present case comes very near to this. The Kundali at the Muladhara is the whole primordial Shakti in monad or germ or latency: that is why it is coiled. The Kundali that mounts up the Nadi is also the whole Shakti in a specially dynamic form—an eject likeness of the Eternal Serpent. The result of the last fusion (there are successive fusions in the various centres also) in the Sahasrara is also the whole, or Purna. This is how I look at it. In this conception the permanent static background is not really depleted, much less is it dispensed with.

"4. When again I say that the volume or intensity of the coiled power can be affected (though not its configuration and relative equilibrium), I do not mean to throw up the principle of conservation of energy in relation to the Kundali, which is the embodiment of all energy. It is merely the conversion of static (potential) energy into dynamic (kinetic) energy in part, the sum remaining constant. As we have to deal with infinities here, an exact physical rendering of this principle is not to be expected. The Yogi therefore simply 'awakens', and never creates Shakti. By the way, the germ-cell which evolves the body does not, according to modern biology, cease to be a germ-cell in any stage of the complicated process. The original germ-cell splits up into two: one half gradually develops itself into the body of a plant or animal—this is the somatic cell; the other half remains encased within the body practically unchanged, and is transmitted in the process of reproduction to the offspring—that is, the germ-plasm. Now, this germ-plasm is unbroken through the whole line of propagation. This is Weismann's doctrine of 'continuity of the germ-plasm,' which has been widely accepted, though it is but an hypothesis."

In a subsequent postscript the Professor wrote:

"1. Shakti being either static or dynamic, every dynamic form necessarily presupposes a static background. A purely dynamic activity (which is motion in its physical aspect) is impossible without a static support or ground (Adhara). Hence the philosophical doctrine of absolute motion or change, as taught by old Heraclitus and the Buddhists and by modern Bergson, is wrong; it is based neither upon correct logic nor upon clear intuition. The constitution of an atom reveals the static-dynamic polarisation of Shakti; other and more complex forms of existence also do the same. In the living body this necessary static background is Muladhara, where Shakti is Kundali coiled. All the functional activity of the body, starting from the development of the germ-cell, is correlated to, and sustained by the Shakti concentrated at, the Muladhara. Cosmic creation, too, ending with the evolution of Prithivi Tattva (it is, however, an unending process in a different sense, and there perhaps Henry Bergson, who claims that the creative impulse is ever original and resourceful, is right), also presupposes a cosmic static background (over and above Chidakasha-ether of Consciousness), which is the Mahakundali Shakti in the Chinmayadeha (body of Consciousness) of Parameshvara or Parameshvari (the Supreme Lord in male an female aspect). In the earliest stage of creation,. when the world arises only as a mist in Divine Consciousness, it requires, as the principle or pole of Tat (That), the correlate principle or pole of Aham (I); in the development of the former, the latter serves as the static background. In our own experiences, too, 'Apperception' or consciousness of self is the sustaining background—a string, so to say, which holds together all the loose beads of our elements of feeling. The sustaining ground or Adhara, as the seat of static force, therefore is found, in one form or other, in every phase and stage of creative evolution. The absolute or ultimate form is, of course, Chit-Shakti (Consciousness as power) itself, the unfailing light of awareness about which our Gayatri (Mantra) says: 'Which sustains and impels all the activities of Buddhi.' This fact is symbolised by the Kali-murti: not a mere symbol, however.

"2. My remarks about the rising or awakening of the Serpent Power at the Muladhara have been, perhaps, almost of the nature of a paradox. The coiled power, though awakened, uncoiled, and rising, never really stirs from its place; only a sort of 'ethereal double' or 'eject' is unloosed and sent up through the system of centers. Now, in plain language, this ethereal double or eject means the dynamic equivalent of the static power concentrated at the Mula, or root. Whenever, by Pranayama of Bijamantra, or any other suitable means, the Muladhara becomes, like an electro-magnetic machine, oversaturated (though the Kundali Shakti at the Mula is infinite and exhaustless, yet the capacity of a given finite organism to contain it in a static form is limited, and therefore there may be oversaturation), a dynamic or operative equivalent of the static power is set up, possibly by a law similar to Nature's law of induction, by which the static power itself is not depleted or rendered other than static. It is not that static energy at the Mula wholly passes over into a dynamic form—the coiled Kundali leaving the Mula, thus making it a void; that cannot be, and, were it so, all dynamic operation in the body would cease directly for want of a background. The coiled power remains coiled or static, and yet something apparently passes out of the Mula—viz., the dynamic equivalent. This paradox can perhaps be explained in two ways:

"(a) One explanation was suggested in my main letter. The potential Kundali Shakti becomes partly converted into kinetic Shakti, and yet, since Shakti, even as given in the Mula-center, is an infinitude, it is not depleted; the potential store always remains unexhausted. I referred to a passage in the Upanishad about Purna. In this case the dynamic equivalent is a partial conversion of one mode of energy into another. In Laya-Yoga (here described) it is ordinarily so. When, however, the infinite potential becomes an infinite kinetic—when, that is to say, the coiled power at the Mula becomes absolutely uncoiled—we have necessarily the dissolution of the three bodies (Sthula, Linga, and Karana—gross, subtle, and causal), and consequently Videhamukti (bodiless liberation), because the static background in relation to a particular form of existence has now wholly given way, according to our hypothesis. But Mahakundali remains; hence individual Mukti (liberation) need not mean dissolution of Samsara (transmigrating worlds) itself. Commonly, however, as the Tantra says, 'Pitva pitva punah pitva,' etc.

"(b) The other explanation is suggested by the law of induction. Take an electromagnetic machine: 'if a suitable substance be placed near it, will induce in it an equivalent and opposite kind of electro-magnetism  without loosing its own stock of energy. In conduction, energy flows over into another thing, so that the source loses and the other thing gains what it has lost, and its gain is similar in kind to the loss. Not so induction. There the source does not lose, and the induced energy is equivalent and opposite in kind to the inducing energy. Thus a positive charge will induce an equivalent negative charge in a neighbouring object. Now, shall we suppose that the Muladhara, when it becomes over-saturated, induces in the neighbouring centre (say, Svadhishthana) a dynamic (not static) equivalent? Is this what the rise of the Serpent Power really means? The explanation, I am tempted to think, is not perhaps altogether fantastic."

KUNDALINI SHAKTHI - LOCATION OF KUNDALINI!


LOCATION OF KUNDALINI

             Every one has many bodies, but I will deal with only two at this time, the Sthula (gross body) and the Sukshma (the subtle body). These two bodies can be easily understood by every one. The gross body can be felt but the subtle body can reason, as every one has experienced in the dreaming state. What keeps these two bodies together? There are ten pranas; five are subtle and five are gross. The gross pranas are in the gross body and move thru the gross Nadis or nervous system. The subtle pranas are in the subtle body and move thru the subtle Nadis. These two pranas are connected about the heart which is the organ of sensation. When the poets and others felt that sensation, they called it Atma or God in the heart. The other connection of the pranas is between the heart and the navel, that is the mind. The subtle body has as many nerves as the gross body. The three main ones are the Ida, Pingala and Sushumana. The Ida Nerve is on the left side, the Pingala is on the right and between the two is Sushumana. The mouth of the Sushumana is closed by the Goddess Kundalini as she is sleeping at the door of the Sushumana. The Kundalini is in the subtle body and remains there always, but part of her divine energy is in the gross body and manifested as Prana, Apana, Vyana, Samana and Udana. The Kundalini is the creator and the sustainer of the universe. She is the All in All.



              The best authority on the Kundalini is the Hatha Yoga Pradipika. It says: "The Kundalini is sleeping, closing the door of the Sushumana. She sleeps above the Kanda or where the Nadis unite. She gives liberation to the Yogi and bondage to fools. He who knows her knows Yoga."
The location of the Kanda is 12 angulis (or about 9 inches) above the anus and 3 inches long and 3 inches in breadth. It is the shape of a bird's egg and covered with a soft white piece of "cloth."
Great Rishi Yajnavalkya says the Kanda is about the same location. All authorities on Yoga give the location of the Kanda in the lower part of the body above the anus; and there is sleeping the Kundalini.
The Hatha Yoga Pradipika says further about the Kanda and Kundalini: "Yogins awake the Kundalini that is sleeping at the door of the Sushumana. Seated on the Vajrasan and taking hold of the ankles, Yogi should slowly beat the Kanda."

           We read in the Sharada Tilaka about Kundalini: "We pray to the Paradevata united with Shiva, whose substance is the pure nectar or bliss, red like unto vermillion, the young flower of the hibiscus, the sunset sky, who having crept her way thru the mass of sound issuing from the clashing and dashing of the two winds in the midst of the Sushumana, rises to the brilliant energy which glitters with the lustre of ten million lightnings. May she the Kundalini, who quickly goes to and returns from Shiva, grant us the fruit of Yoga! She being awakened is the cow of plenty to Kaulas, and the Kalpa Creeper of all things desired for those who worship her."

The Kundalini is the support of all, the Yoga is the means to reach her.


Monday, June 11, 2012

శ్రీ లలితా పంచరత్నమ్ - Shree Lalitha Pancharatnam

శ్రీ లలితా పంచరత్నమ్


ప్రాతఃస్మరామి లలితావదనారవిన్దం
బిమ్బాధరం పృథులమౌక్తికశొభినాసమ్|
ఆకర్ణదీర్ఘనయనం మణికుణ్డలాఢ్యం
మన్దస్మితం మృగమదొజ్జ్వలఫాలదేశమ్||౧||


    దొండ పండు వంటి క్రింది పేదవి, పేద్ద ముత్యముతొ శొభించు చున్న ముక్కు, చేవులవరకు వ్యాపించిన కన్నులు, మణి కుండలములు, చిరున్నవ్వు,కస్తూరి తిలకముతొ ప్రకాశించు నుదురు కలిగిన లలితా దేవి ముఖారవిందమును ప్రాతః కాలమునందు స్మరించుచున్నాను.



ప్రాతర్భజామి లలితాభుజకల్పవల్లీం
రక్తాఙ్గుళీయలసదఙ్గుళిపల్లవాఢ్యామ్|
మాణిక్యహేమవలయాఙ్గదశొభమానాం
పుణ్డ్రేక్షుచాపకుసుమేషుసృణీర్దధానామ్||౨||


    ఏర్రని రత్నములు కూర్చిన ఉంగరములు ధరించిన వ్రేళ్లు అను చిగురుటాకులు కలదీ, మాణిక్యములు పొదిగిన కంకణములతొ శొభించుచున్నదీ,చేరకువిల్లు-పుష్పబాణము-అంకుశము ధరించినదీ అగు లలితాదేవి భుజములను కల్పలతను ప్రాతః కాలమునందు సేవించుచున్నాను.



ప్రాతర్నమామి లలితాచరణారవిన్దం
భక్తేష్టదాననిరతం భవసిన్ధుపొతమ్|
పద్మాసనాదిసురనాయకపూజనీయం
పద్మాఙ్కుశధ్వజసుదర్శనలాఞ్ఛనాఢ్యమ్||౩||


    భక్తులకొరికలను ఏల్లప్పుడు తీర్చునదీ, సంసార సముద్రమును దాటించుతేప్పయైనదీ, బ్రహ్మ మొదలగు దేవనాయకులచే పూజింపబడునదీ, పద్మము-అంకుశము-పతాకము-చక్రము అను చిహ్నములతొ ప్రకాశించుచున్నదీ అగు లలితాదేవి పాదపద్మమును ప్రాతః కాలమునందు నమస్కరించుచున్నాను.



ప్రాతఃస్తువే పరశివాం లలితాం భవానీం
త్రయ్యన్తవేద్యవిభవాం కరుణానవద్యామ్|
విశ్వస్య సృష్టివిలయస్థితిహేతుభూతాం
విద్యేశ్వరీం నిగమవాఙ్మనసాతిదూరామ్||౪||


    వేదాంతములచే తేలియబడు వైభవము కలదీ, కరుణచే నిర్మలమైనదీ, ప్రపంచము యొక్క సృష్టి-స్థితి-లయలకు కారణమైనదీ,విద్యలకు అధికారణీయైనదీ,వేద వచనములకు మనస్సులకు అందనిదీ, పరమేశ్వరియగు లలితాభవానీ దేవిని ప్రాతః కాలము నందు స్తుతించుచున్నాను.



ప్రాతర్వదామి లలితే తవ పుణ్యనామ
కామేశ్వరీతి కమలేతి మహేశ్వరీతి|
శ్రీశామ్భవీతి జగతాం జననీ పరేతి
వాగ్దేవతేతి వచసా త్రిపురేశ్వరీతి||౫||


    ఒ లలితాదేవి| కామేశ్వరి-కమల-మహేశ్వరి-శ్రేఏశాంభవి-జగజ్జనని-వాగ్దేవత-త్రిపురేశ్వరి అను నీ నామములను ప్రాతఃకాలము నందు జపించుచున్నాను.



యః శ్లొకపఞ్చకమిదం లలితామ్బికాయాః
సౌభాగ్యదం సులలితం పఠతి ప్రభాతే|
తస్మై దదాతి లలితా ఝటితి ప్రసన్నా
విద్యాం శ్రియం విమలసౌఖ్యమనన్తకీర్తిమ్||౬||


    సౌభాగ్యము నిచ్చునదీ,సులభమైనదీ అగు లలితా పంచరత్నమును ప్రాతఃకాలము నందు ఏవడు పఠించునొ వానికి లలితాదేవి శీఘ్రముగా ప్రసన్ను రాలైవిద్యను,సంపదను,సుఖమును,అంతులేని కేఏర్తిని ప్రసాదించును.

Wednesday, May 2, 2012

Worship of Lalitha


Let us consider briefly the causes of incomplete knowledge and how it makes our present human condition. And how this makes up our ego, and its consequences of fear, lust, anger, greed, delusion, pride and envy. And how we can free ourselves. And what freedom means.

1. Causes of incomplete knowledge. Things are not what they seem to be.mHow do we perceive the world around us? Through our senses. Through sound, touch, form, taste and smell, or through thinking. All these six faculties are filters.

Let us look at the nature of these filters.

SABDA = sound:  We HEAR only what is in this room.  We cant hear what is far away. Also we can hear only the sounds in the frequency range of some 15 cycles/sec to 15000.  We don't hear the ultra or infra sounds which some animals can.  

SPARSA= touch:  We feel the TOUCH only within a few millimeters of our surface.  Beyond that we don't feel any thing.  Our skin acts as a sharp cut-off filter within and outside of the body surface.

ROOPA=form:  We SEE nearby objects much bigger than far away objects. Also we can only see one octave of wavelengths in the entire electro-magnetic spectrum.  Also we see things only from a single direction.  We cannot see a thing from all angles, and all distances.  How would an object look if we see it from all sides at once?  From all distances?  With all magnifications? Would it be the same as our normal vision ? How does a spinning top appear with pictures on it?  How would the world appear if we had X ray vision?  Would our skin based cosmetics industry survive?

RASA=taste:  We TASTE only what is on our tongue.

GANDHA=smell:  We SMELL only what enters our noses.

MANAS=mind:  Our MIND reproduces these sensations through remembering, and can some times overcome some limitations of sensory filters by the logical thinking.  Yet, it cannot penetrate other minds and read what is in other thoughts as if the thoughts were its own. It can remember the past and sometimes the future too; but that is rare.  Thus the mind as an instrument has its many limitations. It is also a filter.

The world we are perceiving is not really as it seems to be.  So, our experience is an illusion.  All the senses and the mind are distorting it in so many ways.  They are so immediate, so intimately connected to us that we do not even suspect that our perceptions are wrong and that the world we experience bears no resemblance to the reality. It is not what is really out there.
What we know or can know through senses or reasoning is infinitesimal.  What we do not see is far more important than what we see.

2. Ego is illusion coming from incompleteness.
Ego is the idea:  this is me, these are mine; this is not me, these are not my people.

Given the filters of our perceptions, is it not natural that we give importance to local experiences and no importance at all to things far away? The ideas of I and mine, that this is what I am and these are my people, forms the core of ego.  All my life I try to protect these ideas.

We understand that it is NOT our fault that we have the ideas of I and mine so deeply embedded in us. But it is in the very nature of our senses that these concepts are embedded.

If we wish to overcome the limitations of ego, we have to let go of our attachments to senses and the information they bring.  Just as I can't get an idea of a carpet if I attach a microscope to my eye even if I research for a thousand years, I cannot get an idea of the universe with the limiting vision.  I have to let go of the microscope; I have to let go of the senses.  Then only I get a chance to perceive the reality.  The freedom we talk about is the freedom from the senses, or attachment to sense based information.

The separation between I and world, mine and not mine comes from the local nature of senses. Concepts of I and mine make the passions. How? I see some thing. I don't know what it is. Fear comes. I like it, I want it, Desire/Lust is born. If I don't get what I want, I get Anger, feel helpless, and hunger for power comes. If I get what I want, I don't want to let go of it, possessiveness comes. I get so used to it, I can't even live without it. Delusion comes. I get the pride I have it; and jealousy some has it I don't have it. So, all these passions are born out of I and mine.

Also, I judge the information I receive based on what is good or bad for me. I notice that good brings me happiness, reduces misery, and preserves my identity, that is, maintains my separateness from the world.  Bad is the opposite of these things. 
Judgments form the core of the structures of ego. Hatred, doubt, fear, shame, aversion, family, race, conduct: these 8 passions form the sub-structures of ego.

We HATE something or someone who brings misery to us.
We DOUBT if what is in front of us is good or bad.
We FEAR animals or persons unknown to us, who speak a foreign tongue.
We are ASHAMED of doing things we really want to do.
We develop AVERSION to things we judge as bad.
We form the idea of our FAMILY and try to do everything for them.
We identify with our RACE and pronounce others inferior or bad.
We believe that we have to conform to the norms of CONDUCT without questioning for fear of punishment or rejection.

Thus we develop the emotions of Hatred, Doubt, Fear, Shame, Aversion, Family, Race and Conduct from trying to protect the ideas of I and mine. These are the sub structures of ego. All because of the nature of our sense-based information!
Ego is separation, of the one reality into two polar opposites: Subject and object.  Ego is illusion; illusion is based on sensory information which filters reality.  Ego breaks down if
   
 1. we understand the nature of senses,
   2. the need to let go of our attachment to senses,
   3. train ourselves to work free of filters and limitations,
   4. and finally let go of sense limits by suspending judgments.

All these are the objects of Goddess worship, and Tantra of Lalitha.

This is exactly what Lalitha's form teaches us; she holds the five senses in one hand and the mind which seeks them in another. " Mano roopa ikshu kodanda, pancha tanmatra sayaka." Yoga is keeping mind separate from senses which bring in limited senses to couple with unlimited senses. This is what we mean by saying that we die to the profane world, to be born into the divine prospect of immortal beauty.

3.     SOHAM:   Object is Subject.
         Object is mirrored in the Subject.

Every thing that we see or know is mapped into our brain where thoughts are our first reality.  The world of our perceptions has no reality higher than our thoughts, which are themselves unreal. The objective world is mirrored in the Subject.  Remove the Subject. Who observes?  How can there be an observed thing or phenomenon without an observer?  The Subjective I implies the objective world of experience. The object is like a mirror image of the subject; it is the subject. The subject and object are mutual mirror images.
Ego is the deep rooted idea that the seer and the seen are different.  It is caused by illusion; it is an illusion.  It has no basis.  Just as nothing is left after we peel off successive layers of onion, so also ego vanishes when successive layers of ego like hate, doubt, fear, shame, aversion, family, race and conduct are peeled off. Once the ego is even temporarily suspended, subject merges into object, all separation is lost. That is being in tune with our true nature.

(Even with the ego intact, one can argue and establish that the subject and object are one. How? How is   I=World?   Is it not egoistic and megamania to say that I am the world? Logically, if A implies B and also B implies A, then it is true that A is the same as B, A is identical to B. I want to prove that Object and Subject are one. Object for me is the world. I am a part of this world; so Object implies Subject. If I do not exist, will the world exist for me ? So, I imply the world. The Subject implies the Object.  World contains me and I contain the world.  These are precisely the necessary and sufficient conditions for the equation "I = World" to hold).

These considerations go to suggest that our awareness is a mirror.  It reflects what is in front of it.  The mirror is itself never seen, unless it is unclean; but then it is no more a mirror.  The world is mapped onto the canvas of our awareness. The canvas is the brain.
What do I see if I stood in front of a mirror?  My own image. If I am wearing a hat, I see myself with it.  If I had 10 heads like the Ravana, I see my image having 10 heads. If I had 10 heads, 20 hands and 20 legs like Maha Kali, my image will have the same things. Now 10 heads, 20 hands, 20 legs can belong to 10 different people. If I were 10 different people myself, I will see my reflection as 10 different people. Just one more step on the same lines; if I was the whole world and stood in front of a pure mirror, I would see the world as my own image; I=World. No matter how much variety I see 'out' there, it is all me only.

Keeping the ego created by our senses we can still appreciate that what we see is ourselves, however much it appears to be different from us.  That is yoga=union:  what we see is what we are.  The world seen through filters is full of play.  If I remain a witness even when I participate in the drama of the world, I can practice yoga of play, like Krishna.

4.     Yoga Aaraamam
         Yoga is both play and rest.

This play aspect of Yoga is very interesting.  Krishna was said to have enjoyed playing with 16000 milk maids.  Let me stop and do a little calculation.  Assuming I spend one night with a woman, I need 16000/365= 50 years to be with all the 16000. Assuming again that I start from the age of 15, I would be 65 by the time I finished the whole lot.  How could I remain a child during all this time ?  What a prurient model for the repressed society of India of 1998!  Did he drink also ? Perhaps.  There was no prohibition then. Do the 1000 million Hindus care ?  How come he could have delivered the epic poem Bhagavad-Gita to Arjuna in the battlefield of deciding between right and wrong (Dharma kshetra) and between action and inaction (kuru kshetra)?  Let us understand this play: when life is looked upon as play, all is rest.

In the neck, there is a 16 petal lotus; at the crown, a 1000 petal lotus. If we join lines from each petal of neck lotus to the petal in the crown lotus, we get 16000 lines. Each line is a path in the brain; it represents a thought pattern. What Krishna did then was to watch each of these thought patterns as erotic play described as enjoying with the milk maids. Why milk maids? Milk comes from breasts.  So the loving interaction is at the heart level, the abodes of Sri Devi the protectress and Sri Lakshmi, the mother who gives plenty. Immunity from diseases and nourishment for the child both come from the breasts.  So the milk maids.

The story goes that in the circle dance, The wheel of Sri there was a Krishna between each pair of milk maids. And between each pair of Krishnas there was a milk maid. Were there 16000 Krishnas then or did he clone himself that many times?

The word Krishna like the word Kali, means a dark, unknown power. The power of time, moving silently like a river through the great void of space.  It is the great silence.  Krishna is the silence which watches as the subject, and Kali the silence in which the observer is absent.  The circle dance then means that between each pair of thoughts, there is subjective silence observing the neighboring thoughts, and between each pair of silences, there is a thought craving for the neighboring silences.

The story of Rasa leela of Krishna with the milk maids is a story of silence and thoughts alternating, in an erotic playfulness. The silence craves for thoughts; restless thoughts crave for silence.  Eros, craving, is the fundamental nature of silence; and Thanatos, the death wish is the fundamental nature of thoughts.  Doesn't each thought tend to end itself ?  That is its death wish, the suicidal tendency of thoughts.

5.     Life is death
        
 Life and death are continuous experiences of time flow.
Life seems so continuous, and death seems so final, like a full stop.  We are not afraid of living, but we are scared to death of the creepy death. Somehow, death seems so final.  Point of no return.  Dead end. One moment I am there.  Next, I am gone, inexplicably.  What in me goes away, where, at death ?  Where do these fears come from?  But before that, who are we?

What do we consist of?  Flesh, blood, bones, marrow, and billions of living cells.  This is what science teaches us.  Millions of living cells are dying and millions born every second in our very bodies.  I somehow think that I am an individual, though I consist of billions of living cells. To them, I am God, not even aware of their existence.

Have I given birth to these lives? Have I named them? Married them? Cared for their off spring? Do I feel any responsibility to these billions of lives whose community life is what I think I am ? The immunity cells are checking every cell entering our body boundaries with questions like " Do you belong here?  Do you have a valid visa? A work permit ? Have you come to enrich or poison our society ? "  If the answers they receive are not satisfactory, the visitors are killed and disposed of. Am I even aware of the terrible wars going on between my immunity cells and their foreign visitors ?

Every moment, a part of me is dying.  Every moment a part of me is being born.  Am I experiencing my dying part ? Real death is never experienced nor experienceable. Only life is observable, experienceable.  My life is a river.  Old water is going out, new water is coming in.  I am dying every moment.  I am being born every moment.  With every out-going breath I die.  With every in coming breath, I get life.  Every thought in me is making chemicals called hormones, or catacholins or adrenalin. They help nourish me, or put me in altered states of awareness, ready to fight or run away with sudden bursts of energy.

Can I show you that "me' sucking milk from my mother's breasts? That "me" is dead and gone, as surely as I would be when my body burns on the funeral pyre. Can I show you that "me' when I was a 7 year old going to school now ? In a picture, yes. In reality, no. That is also gone, that is also dead, never never to return. My childhood is dead, yet I continue to live. My youth is dead, yet I continue to live. Life seems to go on merrily without interruption through so much of unremitting death all around. Is death a finality then ? Is it not just another way of looking at life ? Could it be that death and life are synonymous ?

The statement "I am living continuously" is completely equivalent to the statement "I am dying continuously". Death then is not such a finality after all. Because I am dying and I am living at the same time. Just like a river, I have a name. The water is not the same, nothing is the same, there is no constancy. The only constancy seems to be the concepts of "I" and "me". Even the things that belong to me are not constant. For some time, yes. Not for all time. All the things I own, all my relationships, all have to fade away. I cannot own any thing or any one forever.

Rama told Sita once:  like a pair of logs that were drifting and came together in a stream, we came together.  We continue together for some time.  And some whirlpool comes along and one of us sinks in it.  The other continues along.
The only string that runs through all my life/death experiences is the subjective "I" and the subjective "me". That seems to be the only reality, the only constant.

Life and death are two names for one process, called change. We can call it life, we can call it death. Does it matter ? They not only co-exist, but in fact they are one and the same. This is a very important realization to have. Then the fear of death goes away once for all.

Let me tell you about a dream I had. I was a king. I wanted to go for a royal hunt. My wives told me to be careful. I was riding an elephant. Dogs were barking and following. Some men were following with drums, others with fires burning at the end of sticks. The forest we were going through became very dense. I sighted a tiger. I shot it with an arrow. It got hit, and jumped on me. I narrowly escaped death. I woke up, perspiring.

Now that I am fully awake, I ask myself the following questions and get the answers.  Who was the king ?  I. Who were his wives ? I. Who was the elephant on which I was riding?  I. Who were the barking dogs ?  I. Who were the men with drums and with lights ?  I. Who was the forest?  I. Who was the tiger ?  I. Who killed the tiger ?  I. Who was killed ?  I. Who was afraid of whom ? I was afraid of myself. Who am I now ? None of these things. Such is the nature of illusion and such is the nature of knowledge. Can we say then that knowledge is superior to illusion? A thumping No!

In my state of dreaming all these things were true enough. I had reason to be careful, I had reason to be afraid. But once I am awake, I have no reason to be afraid any more. I realize that I lived in two states; dream and awake.  Both denied the knowledge of the other state.  In my dream, if the tiger told me, " Hey king, don't be scared, I am going to eat you, but you will not die", I would surely have my doubts. I would suspect the motives of the tiger. When I am awake ? I could accept it with laughter, playing Siva, who wins over death ( Mrityum Jaya).

- Guruji Amrithananda Swami
 Let us consider briefly the causes of incomplete knowledge and how it makes our present human condition. And how this makes up our ego, and its consequences of fear, lust, anger, greed, delusion, pride and envy. And how we can free ourselves. And what freedom means.

1. Causes of incomplete knowledge. Things are not what they seem to be.mHow do we perceive the world around us? Through our senses. Through sound, touch, form, taste and smell, or through thinking. All these six faculties are filters.

Let us look at the nature of these filters.

SABDA = sound:  We HEAR only what is in this room.  We cant hear what is far away. Also we can hear only the sounds in the frequency range of some 15 cycles/sec to 15000.  We don't hear the ultra or infra sounds which some animals can.  

SPARSA= touch:  We feel the TOUCH only within a few millimeters of our surface.  Beyond that we don't feel any thing.  Our skin acts as a sharp cut-off filter within and outside of the body surface.

ROOPA=form:  We SEE nearby objects much bigger than far away objects. Also we can only see one octave of wavelengths in the entire electro-magnetic spectrum.  Also we see things only from a single direction.  We cannot see a thing from all angles, and all distances.  How would an object look if we see it from all sides at once?  From all distances?  With all magnifications? Would it be the same as our normal vision ? How does a spinning top appear with pictures on it?  How would the world appear if we had X ray vision?  Would our skin based cosmetics industry survive?

RASA=taste:  We TASTE only what is on our tongue.

GANDHA=smell:  We SMELL only what enters our noses.

MANAS=mind:  Our MIND reproduces these sensations through remembering, and can some times overcome some limitations of sensory filters by the logical thinking.  Yet, it cannot penetrate other minds and read what is in other thoughts as if the thoughts were its own. It can remember the past and sometimes the future too; but that is rare.  Thus the mind as an instrument has its many limitations. It is also a filter.

The world we are perceiving is not really as it seems to be.  So, our experience is an illusion.  All the senses and the mind are distorting it in so many ways.  They are so immediate, so intimately connected to us that we do not even suspect that our perceptions are wrong and that the world we experience bears no resemblance to the reality. It is not what is really out there.
What we know or can know through senses or reasoning is infinitesimal.  What we do not see is far more important than what we see.

2. Ego is illusion coming from incompleteness.
Ego is the idea:  this is me, these are mine; this is not me, these are not my people.

Given the filters of our perceptions, is it not natural that we give importance to local experiences and no importance at all to things far away? The ideas of I and mine, that this is what I am and these are my people, forms the core of ego.  All my life I try to protect these ideas.

We understand that it is NOT our fault that we have the ideas of I and mine so deeply embedded in us. But it is in the very nature of our senses that these concepts are embedded.

If we wish to overcome the limitations of ego, we have to let go of our attachments to senses and the information they bring.  Just as I can't get an idea of a carpet if I attach a microscope to my eye even if I research for a thousand years, I cannot get an idea of the universe with the limiting vision.  I have to let go of the microscope; I have to let go of the senses.  Then only I get a chance to perceive the reality.  The freedom we talk about is the freedom from the senses, or attachment to sense based information.

The separation between I and world, mine and not mine comes from the local nature of senses. Concepts of I and mine make the passions. How? I see some thing. I don't know what it is. Fear comes. I like it, I want it, Desire/Lust is born. If I don't get what I want, I get Anger, feel helpless, and hunger for power comes. If I get what I want, I don't want to let go of it, possessiveness comes. I get so used to it, I can't even live without it. Delusion comes. I get the pride I have it; and jealousy some has it I don't have it. So, all these passions are born out of I and mine.

Also, I judge the information I receive based on what is good or bad for me. I notice that good brings me happiness, reduces misery, and preserves my identity, that is, maintains my separateness from the world.  Bad is the opposite of these things. 
Judgments form the core of the structures of ego. Hatred, doubt, fear, shame, aversion, family, race, conduct: these 8 passions form the sub-structures of ego.

We HATE something or someone who brings misery to us.
We DOUBT if what is in front of us is good or bad.
We FEAR animals or persons unknown to us, who speak a foreign tongue.
We are ASHAMED of doing things we really want to do.
We develop AVERSION to things we judge as bad.
We form the idea of our FAMILY and try to do everything for them.
We identify with our RACE and pronounce others inferior or bad.
We believe that we have to conform to the norms of CONDUCT without questioning for fear of punishment or rejection.

Thus we develop the emotions of Hatred, Doubt, Fear, Shame, Aversion, Family, Race and Conduct from trying to protect the ideas of I and mine. These are the sub structures of ego. All because of the nature of our sense-based information!
Ego is separation, of the one reality into two polar opposites: Subject and object.  Ego is illusion; illusion is based on sensory information which filters reality.  Ego breaks down if
   
 1. we understand the nature of senses,
   2. the need to let go of our attachment to senses,
   3. train ourselves to work free of filters and limitations,
   4. and finally let go of sense limits by suspending judgments.

All these are the objects of Goddess worship, and Tantra of Lalitha.

This is exactly what Lalitha's form teaches us; she holds the five senses in one hand and the mind which seeks them in another. " Mano roopa ikshu kodanda, pancha tanmatra sayaka." Yoga is keeping mind separate from senses which bring in limited senses to couple with unlimited senses. This is what we mean by saying that we die to the profane world, to be born into the divine prospect of immortal beauty.

3.     SOHAM:   Object is Subject.
         Object is mirrored in the Subject.

Every thing that we see or know is mapped into our brain where thoughts are our first reality.  The world of our perceptions has no reality higher than our thoughts, which are themselves unreal. The objective world is mirrored in the Subject.  Remove the Subject. Who observes?  How can there be an observed thing or phenomenon without an observer?  The Subjective I implies the objective world of experience. The object is like a mirror image of the subject; it is the subject. The subject and object are mutual mirror images.
Ego is the deep rooted idea that the seer and the seen are different.  It is caused by illusion; it is an illusion.  It has no basis.  Just as nothing is left after we peel off successive layers of onion, so also ego vanishes when successive layers of ego like hate, doubt, fear, shame, aversion, family, race and conduct are peeled off. Once the ego is even temporarily suspended, subject merges into object, all separation is lost. That is being in tune with our true nature.

(Even with the ego intact, one can argue and establish that the subject and object are one. How? How is   I=World?   Is it not egoistic and megamania to say that I am the world? Logically, if A implies B and also B implies A, then it is true that A is the same as B, A is identical to B. I want to prove that Object and Subject are one. Object for me is the world. I am a part of this world; so Object implies Subject. If I do not exist, will the world exist for me ? So, I imply the world. The Subject implies the Object.  World contains me and I contain the world.  These are precisely the necessary and sufficient conditions for the equation "I = World" to hold).

These considerations go to suggest that our awareness is a mirror.  It reflects what is in front of it.  The mirror is itself never seen, unless it is unclean; but then it is no more a mirror.  The world is mapped onto the canvas of our awareness. The canvas is the brain.
What do I see if I stood in front of a mirror?  My own image. If I am wearing a hat, I see myself with it.  If I had 10 heads like the Ravana, I see my image having 10 heads. If I had 10 heads, 20 hands and 20 legs like Maha Kali, my image will have the same things. Now 10 heads, 20 hands, 20 legs can belong to 10 different people. If I were 10 different people myself, I will see my reflection as 10 different people. Just one more step on the same lines; if I was the whole world and stood in front of a pure mirror, I would see the world as my own image; I=World. No matter how much variety I see 'out' there, it is all me only.

Keeping the ego created by our senses we can still appreciate that what we see is ourselves, however much it appears to be different from us.  That is yoga=union:  what we see is what we are.  The world seen through filters is full of play.  If I remain a witness even when I participate in the drama of the world, I can practice yoga of play, like Krishna.

4.     Yoga Aaraamam
         Yoga is both play and rest.

This play aspect of Yoga is very interesting.  Krishna was said to have enjoyed playing with 16000 milk maids.  Let me stop and do a little calculation.  Assuming I spend one night with a woman, I need 16000/365= 50 years to be with all the 16000. Assuming again that I start from the age of 15, I would be 65 by the time I finished the whole lot.  How could I remain a child during all this time ?  What a prurient model for the repressed society of India of 1998!  Did he drink also ? Perhaps.  There was no prohibition then. Do the 1000 million Hindus care ?  How come he could have delivered the epic poem Bhagavad-Gita to Arjuna in the battlefield of deciding between right and wrong (Dharma kshetra) and between action and inaction (kuru kshetra)?  Let us understand this play: when life is looked upon as play, all is rest.

In the neck, there is a 16 petal lotus; at the crown, a 1000 petal lotus. If we join lines from each petal of neck lotus to the petal in the crown lotus, we get 16000 lines. Each line is a path in the brain; it represents a thought pattern. What Krishna did then was to watch each of these thought patterns as erotic play described as enjoying with the milk maids. Why milk maids? Milk comes from breasts.  So the loving interaction is at the heart level, the abodes of Sri Devi the protectress and Sri Lakshmi, the mother who gives plenty. Immunity from diseases and nourishment for the child both come from the breasts.  So the milk maids.

The story goes that in the circle dance, The wheel of Sri there was a Krishna between each pair of milk maids. And between each pair of Krishnas there was a milk maid. Were there 16000 Krishnas then or did he clone himself that many times?

The word Krishna like the word Kali, means a dark, unknown power. The power of time, moving silently like a river through the great void of space.  It is the great silence.  Krishna is the silence which watches as the subject, and Kali the silence in which the observer is absent.  The circle dance then means that between each pair of thoughts, there is subjective silence observing the neighboring thoughts, and between each pair of silences, there is a thought craving for the neighboring silences.

The story of Rasa leela of Krishna with the milk maids is a story of silence and thoughts alternating, in an erotic playfulness. The silence craves for thoughts; restless thoughts crave for silence.  Eros, craving, is the fundamental nature of silence; and Thanatos, the death wish is the fundamental nature of thoughts.  Doesn't each thought tend to end itself ?  That is its death wish, the suicidal tendency of thoughts.

5.     Life is death
        
 Life and death are continuous experiences of time flow.
Life seems so continuous, and death seems so final, like a full stop.  We are not afraid of living, but we are scared to death of the creepy death. Somehow, death seems so final.  Point of no return.  Dead end. One moment I am there.  Next, I am gone, inexplicably.  What in me goes away, where, at death ?  Where do these fears come from?  But before that, who are we?

What do we consist of?  Flesh, blood, bones, marrow, and billions of living cells.  This is what science teaches us.  Millions of living cells are dying and millions born every second in our very bodies.  I somehow think that I am an individual, though I consist of billions of living cells. To them, I am God, not even aware of their existence.

Have I given birth to these lives? Have I named them? Married them? Cared for their off spring? Do I feel any responsibility to these billions of lives whose community life is what I think I am ? The immunity cells are checking every cell entering our body boundaries with questions like " Do you belong here?  Do you have a valid visa? A work permit ? Have you come to enrich or poison our society ? "  If the answers they receive are not satisfactory, the visitors are killed and disposed of. Am I even aware of the terrible wars going on between my immunity cells and their foreign visitors ?

Every moment, a part of me is dying.  Every moment a part of me is being born.  Am I experiencing my dying part ? Real death is never experienced nor experienceable. Only life is observable, experienceable.  My life is a river.  Old water is going out, new water is coming in.  I am dying every moment.  I am being born every moment.  With every out-going breath I die.  With every in coming breath, I get life.  Every thought in me is making chemicals called hormones, or catacholins or adrenalin. They help nourish me, or put me in altered states of awareness, ready to fight or run away with sudden bursts of energy.

Can I show you that "me' sucking milk from my mother's breasts? That "me" is dead and gone, as surely as I would be when my body burns on the funeral pyre. Can I show you that "me' when I was a 7 year old going to school now ? In a picture, yes. In reality, no. That is also gone, that is also dead, never never to return. My childhood is dead, yet I continue to live. My youth is dead, yet I continue to live. Life seems to go on merrily without interruption through so much of unremitting death all around. Is death a finality then ? Is it not just another way of looking at life ? Could it be that death and life are synonymous ?

The statement "I am living continuously" is completely equivalent to the statement "I am dying continuously". Death then is not such a finality after all. Because I am dying and I am living at the same time. Just like a river, I have a name. The water is not the same, nothing is the same, there is no constancy. The only constancy seems to be the concepts of "I" and "me". Even the things that belong to me are not constant. For some time, yes. Not for all time. All the things I own, all my relationships, all have to fade away. I cannot own any thing or any one forever.

Rama told Sita once:  like a pair of logs that were drifting and came together in a stream, we came together.  We continue together for some time.  And some whirlpool comes along and one of us sinks in it.  The other continues along.
The only string that runs through all my life/death experiences is the subjective "I" and the subjective "me". That seems to be the only reality, the only constant.

Life and death are two names for one process, called change. We can call it life, we can call it death. Does it matter ? They not only co-exist, but in fact they are one and the same. This is a very important realization to have. Then the fear of death goes away once for all.

Let me tell you about a dream I had. I was a king. I wanted to go for a royal hunt. My wives told me to be careful. I was riding an elephant. Dogs were barking and following. Some men were following with drums, others with fires burning at the end of sticks. The forest we were going through became very dense. I sighted a tiger. I shot it with an arrow. It got hit, and jumped on me. I narrowly escaped death. I woke up, perspiring.

Now that I am fully awake, I ask myself the following questions and get the answers.  Who was the king ?  I. Who were his wives ? I. Who was the elephant on which I was riding?  I. Who were the barking dogs ?  I. Who were the men with drums and with lights ?  I. Who was the forest?  I. Who was the tiger ?  I. Who killed the tiger ?  I. Who was killed ?  I. Who was afraid of whom ? I was afraid of myself. Who am I now ? None of these things. Such is the nature of illusion and such is the nature of knowledge. Can we say then that knowledge is superior to illusion? A thumping No!

In my state of dreaming all these things were true enough. I had reason to be careful, I had reason to be afraid. But once I am awake, I have no reason to be afraid any more. I realize that I lived in two states; dream and awake.  Both denied the knowledge of the other state.  In my dream, if the tiger told me, " Hey king, don't be scared, I am going to eat you, but you will not die", I would surely have my doubts. I would suspect the motives of the tiger. When I am awake ? I could accept it with laughter, playing Siva, who wins over death ( Mrityum Jaya).

- Guruji Amrithananda Swami